Pulp Fiction

Continuity mistake: At the beginning, when Brett is initially shot by both Jules and Vincent after Jules' Ezekiel speech, we see Jules' gun becomes empty on firing the last shot. However, on returning to the same scene at the end, when Jules and Vincent shoot Brett the gun does not empty; in fact Jules is able to repeatedly shoot the guy who comes out of the bathroom afterwards and the gun still isn't empty.

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Suggested correction: It's very hard to tell whether Jules' gun is empty or not, he is pointing it almost right at the viewer, and the scene is proceeding too rapidly.

It's easy to tell. You can see the slide is locked back in the first scene, indicating it's empty. If you can't see the slide is back, look at the ejection port. It's grey/silver color when the slide is forward (i.e. round in the chamber) and black when back (i.e. empty).

Bishop73

Continuity mistake: When Butch is driving the Honda to and from getting his watch at his apartment, from the inside of the Honda the windows are opaque and dirty and hard to see through, but shown from the outside the car windows are clean and you can see through them.

Continuity mistake: When Butch escapes on the chopper (Grace), the chopper appears to have a side draught type carburetor in front of the stock Harley Davison air filter. When he arrives back at the motel to pick up Fabienne, only the stock air filter is present.

Continuity mistake: In the pawn shop scene, the blood stain on Butch's shirt changes several times from shot to shot.

Continuity mistake: When Vincent shoots Marvin in the face Vincent can be seen facing the windshield of the car, not aiming his gun at Marvin. In the following shot he is facing Marvin and turns to face the windshield again.

THGhost

Continuity mistake: In the opening scene, when the camera focuses on Yolanda, the closest car in the background is a moving yellow jeep. But the next car to pass by the window in the next shot is a large white delivery van.

Continuity mistake: Lance is sitting at home eating cereal and watching the end of a Three Stooges short, "Brideless Groom," on television. During the subsequent phone conversation between Lance and Vincent, we can hear the short's soundtrack continuing in the background. The soundtrack then abruptly changes to an earlier scene in the short (Christine McIntyre slapping Shemp around) and then to a different short altogether ("Sing a Song of Six Pants," with Harold Brauer talking about a safe combination).

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Suggested correction: "Brideless Groom, Sing a Song of Six Pants, and Disorder in the Court" are all 3 featured on the same single copy of a DVD release of The Three Stooges (I own it). Trudy, the one WITHOUT all the "stuff" in her face, is still seen in the same room watching the TV also. She very easily could have changed scenes with a single click of a remote, as the camera is not focused on her during the shots of Lance on the phone with Vince.

Jazetopher

94, no DVD.

Continuity mistake: After Butch crashes the car, he stumbles down the sidewalk with Marcellus staggering behind him. When the camera is directly behind Butch, cars are seen traveling down the street in the opposite direction. In the next shot, behind Marcellus and with Butch in the distance, the cars have disappeared.

Continuity mistake: In the scene at the diner at the end of the movie, Vincent is cutting pancakes with the knife in his right hand, fork in the left. When he begins laughing at the "Arnold on Green Acres" comment, he puts his head down onto the back of his right hand which now has the fork, but he never switched utensils.

Continuity mistake: Towards the end of the movie in the coffee shop scene, we see Samuel L. Jackson holding up his wallet, waiting to deposit it into the bag, it is very apparent that there is no writing on this wallet, it is a fat, and barely able to stay folded, yet when Ringo is instructed to retrieve this wallet, the one he brings out is now the one that says "Bad Motherfu**er", it is very slim, and a darker brown.

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Suggested correction: It's very obvious, that wallet actually has writing on it, and it can be seen very good in the exact moment, when Jules is taking it out from the pocket. The wallet is the same, only stuffed better.

Continuity mistake: When Vince and Jules need to take off all their clothes in order to get clean, Jules takes his pants off twice. The first time he takes it off, he is saying, "Damn. This morning air is some chilly s***," and the next time, he takes off his shirt, then proceeds to start undoing his belt.

Continuity mistake: When we see Butch's arms taking the sword down from above the door in the store, the handle of the sword is on the right. But in the next shot, we see that the handle is on the left side.

Continuity mistake: In the final scene, Yolanda points her gun up and swings it around with one hand. In the next shot, she is holding it with both hands.

Continuity mistake: When Butch is choosing his weapon, he leaves a hammer on the counter, with half of the handle hanging loose off of it. When the angle changes, it has changed positions and now all is resting on the counter.

Sacha

Continuity mistake: At Jackrabbit Slim's, the cigarette in Mia's hand switches from right to left to right during the exchange about the $5 milkshake.

Continuity mistake: Vincent crashes his car into Lance's house. The front appears to be wrecked (after the crash we do see a large steam cloud coming from the car's front end which would indicate a ruptured radiator, thus rendering the car not drivable), yet after the ordeal, Vincent drives Mia home, and the car is fine.

Continuity mistake: When Vincent and Jules are at Brett's apartment at the beginning of the movie, Jules takes the hamburger from Brett's table after he asks to taste it. The hamburger in the first shot simply contains cheese and ketchup, but when Jules bites it there is only a leaf of lettuce. Moreover, the hamburger appears first intact, but in the next shot it appears already bitten.

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Suggested correction: The cheese is there when he bites into it, and there is only a piece of lettuce sticking out on one side, a side you don't see when he picks it up. You also can't see if there already was a bite taken out from that angle. My guess is, it's the same burger, no reason for it to be otherwise. When it only "appears" intact, it doesn't mean it is.

lionhead

Continuity mistake: When Yolanda is standing on the counter during the robbery, she gets so upset while screaming at Jules that she has a big blob of spittle on the left side of her chin. We cut away and when we cut right back, the spittle blob is gone.

Deliberate mistake: Both in the first scene and last scene of the movie, we see Yolanda and Ringo starting the robbery by jumping from their seat and start threatening the costumers. In the first scene, Yolanda says "And I'll execute every motherfucking last one of you." But in the last scene the line changes to "and I'll execute every one of you motherfuckers". (00:04:40 - 02:18:00)

Amitai Assido

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Suggested correction: Tarantino has explained that this is not an error, rather, he did this on purpose. When we first examine the scene, we are seeing Ringo and Yolanda's conversation from their perspective. Obviously, because this is their conversation, what we hear first is probably what was actually said. However, at the end of the film, what is said is different because we are no longer viewing the situation from Ringo and Yolanda's perspective, but rather everyone else in the diner, most specifically Jules.

Sounds like a typical Tarantino excuse for a stupid blunder.

Charles Austin Miller

I believe about 70% of the so-called mistakes called out here are really cinematic techniques to show points of view, highlight significant action, and underscore dramatic moments.

More mistakes in Pulp Fiction

Jules Winnfield: Ezekiel 25:17. 'The path of the righteous man is beset on all sides by the inequities of the selfish and the tyrannies of evil men. Blessed is he, who in the name of charity and good will, shepherds the weak through the valley of darkness. For he is truly his brothers' keeper and finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know I am the lord when I lay my vengeance upon you.' Now I've been saying that shit for years, and if you've ever heard it, it meant your ass. I never gave much thought to what it meant, I just thought it was a cold blooded thing to say to a mother fucker before I popped a cap in his ass. But I saw some shit this morning that made me think twice. Now I'm thinking it could mean you're the evil man, and I'm the righteous man. And Mr. 9mm here is the shepherd, protecting my righteous ass. Or maybe it means that you're the righteous man, and I'm the shepherd, and it's the world that's evil and selfish. Now I'd like that, but you see that shit ain't the truth. The truth is, YOU'RE the weak, and I'm the tyranny of evil men. But I'm trying, Ringo. I'm trying real hard to be the shepherd.

More quotes from Pulp Fiction

Trivia: Every time you see a pack of cigarettes, it's the same brand: Red Apple.

More trivia for Pulp Fiction

Question: What exactly does the title of this film mean? Is there even an answer to that?

Sir William

Chosen answer: It is a reference to a class of fast-paced, sensationalistic, and frequently exploitive stories published in cheap magazines from the 1920's through the 1950's. They were called 'pulp' because of the cheap quality of the paper they were printed on, as opposed to the 'slicks' which were more like full-color magazines of today.

Rooster of Doom

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