Best drama movie mistakes of 2022

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Jerry and Marge Go Large picture

Continuity mistake: Marge had her left hand on a Win Fall ticket that (supposedly) was coming out of the printer on the side of the machine. Marge moved her hand away without removing the ticket. When the camera shifted, the ticket was not there. (00:54:10)

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Tethered picture

Other mistake: It is unrealistic that Solomon could drag the long rope through a wooded area for years without the rope getting frayed/worn out and that the rope did not get snagged or caught in shrubs, around tree trunks, etc.

KeyZOid

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Hustle picture

Continuity mistake: In the very last scene when Bo is hugging Stanley before the game it reveals his "Never Back Down" tree tattoo on his lower left arm. Yet right after in the closing credits and presumably depicting that same game it showed his left arm after taking a shot with the tattoo removed.

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Father Stu picture

Revealing mistake: There's something odd about the chair that is (or is not?) to the right of Monsignor Kelly when Stu goes into his office to talk. Only part of the back of the chair can be seen and it is not directly in front of the Monsignor, but there is not enough room for the seat part to be there (otherwise, the Monsignor could not be standing where he is). Without any indication that the Monsignor or chair moved, the Monsignor is later able to rest his right hand on the chair's back. (01:13:57 - 01:14:37)

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Abduction of the Fourth Kind picture

Continuity mistake: Alan goes into his appointment with Dr. Fredericks at 5:08, and it is still 5:08 on the wall clock when he leaves her office. (00:10:20 - 00:14:03)

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Mindcage picture

Revealing mistake: The cell bars appear to be about 4" apart, but are much wider to accommodate the width of The Artist's face/head when there's a close-up of him next to the bars. (01:13:50 - 01:15:09)

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Torn Hearts picture

Continuity mistake: While driving to Harper's house, Jordan did not have the sun visor down, but it was down when she was backing up after she passed Harper's house, #237. The sun visor was not down when Jordan was going down the driveway to the house. (00:17:15)

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Meet Cute picture

Continuity mistake: During their first encounter (the first we see in the movie, at least), Sheila sits next to Gary, and they both order Old Fashioned. Phil the Bartender makes a comment on that, and she shoos him off. Look at Kaley Cuoco 's bag; one of the straps keeps going on/off the top of the bag between shots. (00:03:30)

Sammo

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Bones and All picture Bones and All mistake picture

Continuity mistake: When Jake and Brad are introducing themselves to Maren and Lee, just as Lee is saying "Yeah, just passing through. Is that a problem?", Jake's left hand is in his pocket, but in the next shot, his hand is out of the pocket. (00:54:10)

Casual Person

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The Case of the Christmas Diamond picture

Continuity mistake: Jackie holds her pen as she takes notes. Next, her pen is set on the legal pad and her hands are on her lap (below the table and pen). The camera returns to Jackie, and she continues to hold the pen as she takes notes the whole time. (This allows for other questionable variations that could occur off-screen, if enough time.) (00:38:57 - 00:39:29)

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Blight picture

Revealing mistake: Luke points a flashlight along the side of the staircase, but no shadows are produced on the wall from the vertical posts. Luke points the flashlight in front of himself and produces his shadow on the wall behind (and the shadow doesn't look like the way he is holding the flashlight). After Luke goes through the entryway aiming his flashlight ahead, a circle of light is behind him. The power is out, so the flashlight is the only light source - except that used for filming in the dark. (01:03:00 - 01:05:25)

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Ocean Boy picture

Continuity mistake: Rockit buys a blue (or aqua) surfboard, but it becomes pinkish-purple before turning blue while he surfs. (00:34:00 - 00:44:00)

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Boon picture

Deliberate mistake: Considering the position of the surveillance camera (height and angle - almost parallel to the side of the building as well as to the sidewalk), plus the lens being indented within the outer frame, it would not have been able to capture a view of Redd on the sidewalk below like it did. (00:24:40)

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Persuasion picture

Factual error: Twice during the movie, streetlights are visible: once when lady Russell informs Anne of Wentworth's engagements, and once while Anne is running after Wentworth. (Streetlights, lit by gas, were indeed conceived during the regency period - but they were experimental curiosities, and certainly not yet installed nationwide).

Spiny Norman

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The Fabelmans picture

Continuity mistake: When Sam meets the bullies at the corner of the school grounds, the passers-by are not continuous between shots. (01:27:00)

Sacha

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Crimes of the Future picture

Continuity mistake: The top of Brecken's head was close to (within a few inches of) the headboard before his mother brought the pillow. When his mother put the pillow over his face and the camera shifted to a right-side rear view, the upper part of the bed was raised about 45°. When Lang Dotrice (Brecken's father) arrived and sat on his bed, the pillow used to smother Brecken was at least a foot away from the headboard and Brecken's head (still under the pillow) was about a yard away from the headboard. (00:04:05 - 00:07:16)

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It Snows All the Time picture

Continuity mistake: After Art yells for Jesse to come to eat lunch, the stick of butter on the plate is roughly parallel to the edge of the table, but is diagonal when Art and Jess come to the table. A later view from the other end of the table shows the stick of butter parallel to the edge again. Some of the family members take a roll out of the basket, but none take any butter (so did not move it). (00:20:45)

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Second Chances picture

Continuity mistake: Banker Mr. Anderson picks up his glasses from the desk and holds them near his face, then picks them up a second time. (00:51:35)

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Bite picture

Continuity mistake: Inside the building, Nina is at different distances from the man on the bench, ranging from about one body's width to a few widths away (while accounting for her limited movement). (00:15:15)

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