Character mistake: We see the lead driving on the motorway to get to the cottage. She leaves at junction 6 for Princes Risborough. Which means she is on the M40 that goes to Birmingham. When she arrives the host asks about the drive down and mentions the M4. This is a different road entirely, that goes to Swansea.
Continuity mistake: Jackie holds her pen as she takes notes. Next, her pen is set on the legal pad and her hands are on her lap (below the table and pen). The camera returns to Jackie, and she continues to hold the pen as she takes notes the whole time. (This allows for other questionable variations that could occur off-screen, if enough time.) (00:38:57 - 00:39:29)
Revealing mistake: Luke points a flashlight along the side of the staircase, but no shadows are produced on the wall from the vertical posts. Luke points the flashlight in front of himself and produces his shadow on the wall behind (and the shadow doesn't look like the way he is holding the flashlight). After Luke goes through the entryway aiming his flashlight ahead, a circle of light is behind him. The power is out, so the flashlight is the only light source - except that used for filming in the dark. (01:03:00 - 01:05:25)
Continuity mistake: Marge had her left hand on a Win Fall ticket that (supposedly) was coming out of the printer on the side of the machine. Marge moved her hand away without removing the ticket. When the camera shifted, the ticket was not there. (00:54:10)
Other mistake: This TV-movie is set in 1934. At the county fair where a pie judging contest is about to take place, a sign reads, "Entrants...Please leave your name on the pie." The sign uses a computer-printed font.
Continuity mistake: Inside the building, Nina is at different distances from the man on the bench, ranging from about one body's width to a few widths away (while accounting for her limited movement). (00:15:15)
Deliberate mistake: There isn't an accurately-positioned light source bright or close enough that can project striped lines - especially that wide - across Rockit's face while he is lying in bed. (00:07:00)
Factual error: It's winter in Montana, yet there are rattlesnakes out in the cold.
Factual error: Pettis' calculation of the amount Connor needed to replace his asset was way off. He stated, "[Cornell] brought me about 250 [$250,000] a year. He had at least 20 more years of service. Subtract five years he might have spent in prison, so you owe me, what? Six point two million." Pettis was presented as intelligent, but a quick mental calculation of even the full 20 years at $250,000 would total only $5 million (not $6.2 - an odd sum). For 15 years, the total would be $3,750,000. (00:28:45)
Continuity mistake: Solomon put the rope around his waist underneath his coat, but when he was walking through the woods the rope was tied over his coat. Also, the knot would start out in the front of his left side but change to behind his back even though the rope was loose (not taut) behind him. (00:01:55 - 00:02:26)
Continuity mistake: While driving to Harper's house, Jordan did not have the sun visor down, but it was down when she was backing up after she passed Harper's house, #237. The sun visor was not down when Jordan was going down the driveway to the house. (00:17:15)
Revealing mistake: There's something odd about the chair that is (or is not?) to the right of Monsignor Kelly when Stu goes into his office to talk. Only part of the back of the chair can be seen and it is not directly in front of the Monsignor, but there is not enough room for the seat part to be there (otherwise, the Monsignor could not be standing where he is). Without any indication that the Monsignor or chair moved, the Monsignor is later able to rest his right hand on the chair's back. (01:13:57 - 01:14:37)
Continuity mistake: When The Artist is talking on the phone to Detective Mary Kelly, sometimes his long, wavy hair behind the phone is flat and other times fluffy (extending wider than the phone). (00:14:45)
Continuity mistake: The time of day changes multiple times during the first half of the movie. When Danny is talking to Papi, Papi is outside and the sun is in the west indicating late day. In Danny's angle the sun is right overhead. There are multiple times when it is full on overcast in one angle and cloudless blue sky in the next.
Deliberate mistake: Considering the position of the surveillance camera (height and angle - almost parallel to the side of the building as well as to the sidewalk), plus the lens being indented within the outer frame, it would not have been able to capture a view of Redd on the sidewalk below like it did. (00:24:40)
Continuity mistake: The top of Brecken's head was close to (within a few inches of) the headboard before his mother brought the pillow. When his mother put the pillow over his face and the camera shifted to a right-side rear view, the upper part of the bed was raised about 45°. When Lang Dotrice (Brecken's father) arrived and sat on his bed, the pillow used to smother Brecken was at least a foot away from the headboard and Brecken's head (still under the pillow) was about a yard away from the headboard. (00:04:05 - 00:07:16)
Continuity mistake: After Art yells for Jesse to come to eat lunch, the stick of butter on the plate is roughly parallel to the edge of the table, but is diagonal when Art and Jess come to the table. A later view from the other end of the table shows the stick of butter parallel to the edge again. Some of the family members take a roll out of the basket, but none take any butter (so did not move it). (00:20:45)
Other mistake: Jamie was strangling Rose with both hands, quite forcefully, for almost a minute until his dad hit him over his head. When Rose was getting up, her neck was not the least bit red and did not show any signs of having been choked. (01:05:05 - 01:06:03)
Factual error: At the end of the film a character is walking through a studio lot in 1952. Through the trees behind him can be seen a section of a poster advertising Jackass Forever (2022).
Continuity mistake: The sky (sun versus clouds and color - blue, white, or gray) changes frequently during the few minutes when Lara is leaving the site until she returns to retrieve her bag. Before she falls into the hole, the sun is shown near the horizon, about to set, but the sun is shining on her in the hole. A setting sun would not be able to emit rays into a distant hole. (00:05:34 - 00:10:15)