Other mistake: The Space Agency is trying to use an android mechanism (Human 2.0) to go to The Void and make first contact. Their first attempt at putting a human brain into the android fails. The solution is to make the android mechanism imprint human cells to facilitate the brain/android connection. The Agency is up against a time constraint, and someone comes up with the idea of using military Humans 2.0 to go on the voyage. Wait a minute! So now we learn there are other Humans 2.0 in existence? Wouldn't whoever made those already know how to solve the human brain/android interface? Why is the Space Agency reinventing the wheel? (00:40:55)
Continuity mistake: When Emily is in the US Embassy in Bogotá, the guy tells her he is the only one there. However, when he first started talking to her, there are two men in the background. (01:58:00)
Continuity mistake: When Nicholas Cage and his kid are enjoying a flashback, the ice lolly keeps shrinking and growing throughout the conversation. (01:14:00 - 01:15:00)
Continuity mistake: When Kat wakes up for the second go-around of Valentine's Day (the first repetition), she scoffs at the text from Bradley, her date who bailed on her. When the text is inserted onscreen, it matches the original day's, mentioning their planned dinner and first in-person meeting. When her phone's actual screen is shown, the text from Bradley is an invitation to breakfast. They never had or planned a breakfast. The wording is very similar to Danny's invitation at the end of the movie.
Continuity mistake: When he tries cooking by himself, he leaves a pan on the stove and goes to sit on the couch. At some point while on the couch the pan is no longer on the stove and when he runs to it after the fire alarm goes off it is still gone. Then when he gets to the stove the handle has been flipped to the other side. (00:48:05)
Continuity mistake: Charlie was standing in the hole he dug and his head was below ground-level, but when Eliza was talking to him, Charlie's head was above-ground. Half of Charlie's back was above-ground when his mother [Toni Collette] was outside. Front views of Charlie standing in the hole still showed him against dirt (head below surface-level) even after he was just shown with his head above-ground. (00:51:10 - 00:51:46)
Continuity mistake: When Bob finds Scott and Kate at his office with the money and runs at them, he slams into a frame at the end of the hall breaking the glass. It cuts to a different angle and suddenly he's slamming into it again but the single sound effect is still playing. (01:14:41)
Continuity mistake: Sara recovers the artifact and gets on the boat. She removes the deep-dive helmet and the oxygen tank. The villain is looking at her through his binoculars, she hasn't moved, but the equipment she took off and dropped on the deck has vanished. (00:03:00)
Factual error: Will's Range Rover has a rear New York license plate but not the required front plate. (00:08:25)
Continuity mistake: Olivia is introducing her intended design, but left out of the heirloom throw pillows her client is fussing about. During the scene, in close-up (when the client asks to talk to her boss) her hair is all the way back behind her shoulders, but she has loose hair all over her blazer's collar in the remaining shots. (00:01:40)
Continuity mistake: Edmund and his business partner pull over in front of the hotel. They walk out of the car, and the woman is holding a clipboard in her left hand and her smartphone in her right. When they get through the hotel doors though, she is thumbing her phone in her left hand and the clipboard is now encased in a whole document folder she did not leave the car with, in her right hand. (00:02:40)
Factual error: When the bank robbers pull the money out of the vault, they claim all the cash is from 1982. Yet most of the bills have large faces, which was introduced into rotation in 1996.
Plot hole: There's no way that plane could have crashed and stayed intact like it did.
Factual error: Emmanuelle Devos goes to the airport to get her husband and daughter. Their plane landed at 7 PM (18:58 to be precise) as shown by the airport monitor. They get a cab to a hotel downtown, and then there's a scene when she books a restaurant from the hotel room. She tells her husband, who just took a shower, that they need to be at the restaurant at 8 PM. Her husband says that there's no rush then, since it's only 7 PM. Of course that's impossible, the Turin airport is about 20km away from the part of the city they are driving through, which at that hour has also significant traffic; if their plane landed at 7, at 8 PM they would hardly have any time left to spare. (00:29:00)
Continuity mistake: Addison put his sweater on (over his neck and arms into the sleeves). After his dad asked him if he was OK, the view of Addison in the mirror showed him putting his sweater on again. (00:16:04)
Continuity mistake: The protagonist is driving his diminutive car to the villa. In the view from the villa (Avishai Cohen's name pops up) you can see a large shadow covering the area of the gate. In the reverse shot that part of the road is fully lit. (00:06:00)
Continuity mistake: At the beginning of the movie, Bob Fredericks pulls his bicycle over. His wife takes off leaving him behind. A young man walks by him twice in the two separate shots and at different distance. (00:01:00)
Factual error: While briefing Captain Blocker on his mission, the colonel references the Department of the Army. The Department of the Army was established in 1947; in 1892, when the film is set, it was called the Department of War.
Continuity mistake: Michael sets foot into the church and meets Pastor John Soul. John has a clipboard in his left hand, as well as his glasses, as he says "But the doors of this church are always open to you." He opens his arms and the glasses are in the left hand. However in the wider shot that follows ("But, if you are looking for redemption...") here's the Pastor with the glasses in his right hand. (00:27:05)
Continuity mistake: Throughout the scene at Stukey's, when Helen Mirren is chatting the Syrians' ears off her elbow sticks out of the window at variable length between shots. (00:05:45)