Visible crew/equipment: When Stepan is in the car he dresses like a girl and when he puts a wig on you can see a crewmember reflected on the glass window.
Visible crew/equipment: In the scene where John and Matt are in the middle of an alley, with Matt using the mobile to locate the power hub, the crew can be seen from the reflection from the glass behind Matt.
Visible crew/equipment: About half way through the film when they go to see the old gun smith, as they get out of the truck and just after Swagger says "welcome to Tennessee, the patron state of shooting stuff" and closes the truck door, you can see a reflection of someone holding a board or something in the wing mirror.
Visible crew/equipment: About an hour and 12 minutes into the film, Russell Crowe is chasing the guy in the Bronco. After he gets to where he is going, he stops by the window of a building and watches some men enter. The camera changes to his point of view and pans to the left. As it is doing so, its reflection becomes visible in the glass. (01:12:30)
Visible crew/equipment: When he is fixing the crooked ship picture in the somewhat dark room in the reflection behind him you see an arm with a light blue short sleeve shirt in the glass door.
Visible crew/equipment: On the balcony when they're firing water balloons at girls, a light screen and camera are reflected in one person's sunglasses. (00:42:40)
Visible crew/equipment: When Dave first discovers that the chipmunks can sing, as they perform on the tree stump outside his window for him, after they sing 'Funky Town' there is a shot from outside looking through the window and to the right of Dave (through the window) you can see the long pole of the boom microphone; it is not seen in any other shots. (00:16:55)
Visible crew/equipment: In the scene where Camila is making out with Rodrigo, one can see the cameraman's shadow on Rodrigo's back in the shot where he throws her on the bed.
Visible crew/equipment: When Norbit & Rasputia are about to have sex in the bedroom, before Rasputia jumps on Norbit you can see a crew member wearing a headset reflected on the bedroom wall.
Visible crew/equipment: When the taxi pulls up to the sidewalk, the actor's mark is visible underneath the taxi.
Visible crew/equipment: When Kimberly is cut in half, you can see the crew reflected in the car.
Visible crew/equipment: When Fred is fighting with the DJ about changing the song, you can see a crew member sitting on the director's chair reflected on the glass window.
Visible crew/equipment: Anne, Elizabeth, and Capt. Wentworth are walking on the estate, and as Elizabeth says "Hey look, there's poor Charles with them; come", the camera angle shifts over to Anne and you can see a member of the crew wearing a red shirt standing next to the tree behind her. (00:33:35)
Visible crew/equipment: When Leslie Burke takes the rope, in the water a part of the light equipment is reflected. (00:43:25)
Visible crew/equipment: After coming downstairs, heading for dinner, Briony finds the star on the floor and heads into the study. As she makes her way through the door, the shadow of the boom mic can be seen on the pillar behind her. (00:31:47)
Visible crew/equipment: At the end of the outside corridor-scene the camera point changes from a rider to a steady shot to follow Paccino leaving the corridor. In the pan the long dolly track used in the previous shot is visible along the outside of the corridor. (00:43:35)
Visible crew/equipment: When Rachel is parking her car at the school you can see a crew members reflected on her car.
Visible crew/equipment: In the beginning of the movie where the lady walks into the apartment to find her mother dead, you can see a crew member's arm briefly by the door.
Visible crew/equipment: When Christine drives to pick up Richard to take him to the music show, a boom mike is visible on the car's door.
Visible crew/equipment: At the shootout in the trailer park near the end, the redneck neighbour comes out of his trailer and his shotgun jams. Immediately after, he is shot with a machine gun mounted in the back of a white Mustang. Right at the end of his expletive-filled final line, you can see the safety cable from the pulley that jerks him backward through the wall behind him. (01:19:55)