Visible crew/equipment: When Chili and Harry are riding down the street and Harry is telling about the script that he wants to buy and why he needs $500,000, you can see the camera and crews reflection in the windows behind them.
Visible crew/equipment: When Palmer thinks rain is coming down and it first shows the drops, the guy that was holding the water squirter thingey accidentally makes the water squirt to the side. You can see the water squirt to the side and look to the left, there is no water squirting there, so the guy has to aim again so that the water fits in the camera angle.
Visible crew/equipment: After Brian's mother tells Fluke to come with them in the cemetary, the shot cuts to Brian in the car and then back outside. It the bottom left hand corner, you can see a person kneeling there.
Visible crew/equipment: When Sister Helen and Mr. Delacroix are speaking in his living room, as the camera is panning out in the living room at the conclusion of their discussion, a crew member wanders into the background outside the window and then quickly runs out.
Visible crew/equipment: When Hackman rises from the ground after the last explosion, a guy is in the upper right corner standing on a balcony holding a device with an antenna (probably a remote device for explosions). He is visible almost four seconds. (01:38:23)
Visible crew/equipment: As the team walks through the ruins, a flock of birds bursts out of a bush. You can see a persons arm shooing them out. (01:19:40)
Visible crew/equipment: Toward the end of the film, when Parker and Sid 6.7 are back in the computer simulation, Sid lifts Parker over his head and throws him off the roof. When he does this, you can see a hook and a rope lifting Parker over Sid's head. His shirt is even pulled by the hook.
Visible crew/equipment: When Jeremy impales himself on the silver ritual knife, watch as the "knife" bends under the weight of his body - an obvious rubber prop.
Visible crew/equipment: When Dracula is climbing down to Renfield's window, a wire is visible moving against the side of the building above Dracula.
Visible crew/equipment: In the scene where Babe stands in the doorway and is about to get the alarm clock, there's a shot that shows the cat in front of the fireplace, and she flicks her tail. However, above her you can see a wire manually moving her tail.
Visible crew/equipment: To escape Two-Face's ambush, Batman tilts the batmobile onto its rear wheels, and thanks to the bat-hook, he's able to use the vertical facade of a building as an alternate route. As the batmobile rides up the building, if you look closely you can see what looks to be a wire behind the batmobile (probably helping the batmobile or a model of it travel smoothly up the building or a model of the building). (00:50:35)
Visible crew/equipment: When Jack is at the top of Blackpool Tower, a light aircraft flies by, and as Jack stands up to watch it you can see his safety cable. (00:26:20)
Visible crew/equipment: Half-way through the movie, in Max's and Maria's first kiss scene at night outdoors, 3 separate lighting goofs happen: A crew's spotlight is seen projecting from high in the trees on the left, then is quickly withdrawn. In a following shot, its beam reappears brightly spotlighting 'the worm.' Finally, when they're ready to embrace on the ground in very low light, the same pesky bright light jolts on, beaming right on them as they clinch. (00:55:00 - 01:05:00)
Visible crew/equipment: The demolition crew can be seen on the driver's side window when Sonny Chiba and Brigitte Nielson's characters are fleeing the scene of a blown up car. The shot has Robert Davi's character chasing after them and then hearing the explosion behind him. You can see a crew person sitting and about four others kneeling, trying to evade cameras. This happens in scene 6 at 52.01 minutes into the movie. (00:52:00)
Visible crew/equipment: Amanda and Kirstie Alley get into a taxi near the beginning of the movie. The camera and crew are visible in the window.
Visible crew/equipment: Whilst the group of Southeast Asian men are walking through the hair salon, there is a shot that starts with a male hairdresser wafting a blanket, that pans over to the group of men and then the camera rotates around the man holding a little girl. Immediately after the camera passes the man and girl, the camera very briefly holds on another man waving to an employee. Just as this happens, the reflection of the cameraman can be seen in the mirror to the left of the shot. (00:31:30)