Visible crew/equipment: At the pet store, when Spot stands on his hind legs in order to push the shelving unit onto Gino and Arliss, the arms of a crew member can be seen pushing the shelving unit.
Visible crew/equipment: After Holly comes over with the CDs, sour cream, and bubble machine, Jenny then shuts the front door. When Jenny walks toward the camera, just as this shot begins to transition into the next shot, we can see the green T-mark taped to the floor, and a bit of the red T-mark as well, where the two girls stood a moment before. (00:38:20)
Visible crew/equipment: Toward the end of the movie Curly Sue comes back home from the orphanage. She sees the letter from Bill and begins to walk slowly to the living room - look left to the screen and you will notice something drop from above kinda looks like something silver, maybe a boom mic.
Visible crew/equipment: When Lizzie and Paolo run up to where they watch the fireworks, their tape marks are visible on the ground.
Visible crew/equipment: When the Christmas carolers are outside singing in front of the Kranks' house, a crewmember is reflected on the glass window.
Visible crew/equipment: At the end of the film when Jessie is saying his last words to Willy, when the camera is looking at Willy in these shots you can see the entire boom mic and pole reflected in Willy's wet skin.
Visible crew/equipment: When Steve Finch is going outside to check who was tapping his power, you can see a crew member on the outside window.
Visible crew/equipment: Just before Johnathan Taylor Thomas climbs into the fake Santa's sleigh to sleep for the night, he is talking to Santa and playing with his hand. On his lower chest is the shadow of the camera (since the light is coming from behind the camera), which disappears in the following angle.
Visible crew/equipment: Just after junior puts out the campfire by peeing on it, you can see a man in black standing/crouching behind the tent on the right. (00:37:40)
Suggested correction: That is not a man, it was one of Roy's kids running off and staying away.
Visible crew/equipment: When Lou looks up at the bone floating down, you can see the camera crew including the mic boom reflected in his eyes. (00:13:30)
Visible crew/equipment: When Brother Silence/Cass leaves the house after finishing the campaign at the end of the movie, he opens the front door to leave and there is a glass door/screen there outside the house. For a second you can see a crew member holding the boom mike in the reflection of the glass door. (01:28:10)
Visible crew/equipment: When the dog catcher is locked out from the outside and he is trying to get back in, you can see a crewmember with arms around his neck reflected on the black door.
Visible crew/equipment: When Scott and Lucy are going to the hall of snowglobes you can see a crew member reflected on the wall above them.
Visible crew/equipment: In the scene with the realtor in the car, the green screen and cameras are visible in the realtor's glasses. They continue to be visible in his glasses off and on throughout his scenes.
Visible crew/equipment: In the scene where Babe stands in the doorway and is about to get the alarm clock, there's a shot that shows the cat in front of the fireplace, and she flicks her tail. However, above her you can see a wire manually moving her tail.
Visible crew/equipment: During the dance scene, in the ladies room the shadow of the boom mic is seen in the mirror's reflection behind Ann. (01:10:00)
Visible crew/equipment: When Helen is mad about the party she goes to the bedroom and when she undoes her hair you can see a crewmember's shadow reflected on the bedroom door.
Visible crew/equipment: When Fred is fighting with the DJ about changing the song, you can see a crew member sitting on the director's chair reflected on the glass window.
Visible crew/equipment: At the beginning of the IHL game you can see the bottom of a camera trolley.
Visible crew/equipment: When the wild horses, known as the brumbies, come rushing past the ranch, a cowboy can be seen to the far left of the frame herding them into the channel between a tree in front of the home's front fence and the fence itself. It's an awesome, but complex shot, and the rider was meant to be out of frame, but the technical realities of a shot like that have him just inside the frame's edge. There is a second right rider on the right half of the screen also driving the herd.