Other mistake: There is something drastically wrong with the design of the spherical 'Aries' moon shuttle. Some seats and many fixtures are 'upside down' relative to the up-down orientation of the shuttle itself, and we see loose food trays and equipment about the place as if this is routine. But - the shuttle is designed to land on the moon. What happens then? The moon has gravity, remember? There are going to be quite a few very disgruntled people dangling upside down like spiders, and there will be loose gear (and perhaps a stewardess or two) bouncing about all over the place. It is not a matter of stowing loose gear or lying flat on landing - some parts of the shuttle are upside down relative to others, which is why the stewardess has to do that famous 180 degree upside down walk. Whichever way you look at it the shuttle is going to encounter serious problems when it reaches a gravity well, which will occur whenever the engines are fired up, never mind landing on the moon.
Continuity mistake: In the British Museum, when Rick and Ardeth are saving Evie, Rick gives her a .45 pistol and they start to shoot the guards, her pistol fires once and the slide locks back meaning the pistol had no ammo, but she keeps firing as if the magazine was still full. (00:39:47)
Continuity mistake: During Andy's daydream at the beginning of the film, Mr. Potato Head has an eye patch over his left eye. When the daydream cuts back to reality we see that Andy has removed Mr. Potato Head's left eye to symbolize the eye patch. But when Andy's mum comes in with the video camera, his left eye is suddenly back in. (00:01:15 - 00:05:25)
Continuity mistake: When Del comes out of the passenger side of the dairy truck, he is with a black eye, for no reason. The next scene, it is not there. It is there again when he admits to being homeless. (Steve Martin punched Del in a deleted scene.)
Revealing mistake: During the bedroom scene with Felicity and Fat Bastard you can clearly see the air hose that fills his suit when he rolls over in the bed. (00:49:10)
Continuity mistake: In the final battle, Wasp and Ant-Man are in the van trying to get the quantum tunnel operational. We cut back to the fight and we can see Ant-Man there too, fighting in his giant form. (02:22:20 - 02:23:00)
Suggested correction: He needed to hot-wire the van. It's quite possible he could have left the van for parts (he's seen slamming a Leviathan to the ground) or to protect it. It also could have been an illusion by one of Dr. Strange's people.
Sorry but the suggested correction makes no sense. For one Dr Strange's people have no idea what Ant-Man looks like, and secondly Ant-Man would have no idea where to get parts from in the middle of a battlefield, let alone know if alien technology would be compatible. Also the time frame given when the scene plays out allows no time for him to leave the van, this is a legitimate mistake.
Dr. Strange's people don't know what Ant-Man looks like? He entered the battle with them long before they went to the van. Earth has had access to the same Leviathan parts since the original Avengers. If Toomes can make wings out of it in Spider-man Homecoming, it's possible he can figure something out. Clint had passed the glove to Black Panther before Ant-Man is seen in the background. There was plenty of time. He also could have been defending the van while they brought the glove.
There is plenty of time for Ant-Man to have left the van and returned to it. As the scenes play out, Ant-Man and Wasp are in the front of the van trying to hot wire it. The film then cuts to the battle for several minutes, as we see the passing off the gauntlet, which includes the brief shot of Giant-Man in the background. A few minutes later the film cuts back to the van and we see Scott opening the rear door of the van. So there's plenty of time for him to have gotten out of the van, saw potential trouble with the Leviathan, turned into Giant-Man to stop it while letting Hope finish activating the tunnel, and then returning to check the final settings. Now, all this raises another question that has to do with the apparent ease Giant-Man has in traversing the battlefield, as in why not just give Scott the gauntlet, have him turn into Giant-Man, take a few steps over to the van, and then shrink back down to take the stones back in time?
Continuity mistake: On Utapau, when Obi-Wan faces off with Grievous, Grievous sends 4 MagnaGuards against Obi-Wan. Obi-Wan Force-pulls something from the ceiling to crush the droids. But in the ensuing fight between Obi-Wan and Grievous, the ceiling thing and crushed droids are gone.
Plot hole: This film is set in 2004. The thought that no search and rescue operations would be put in place after an aircraft disappeared from radar during a routine flight is absurd. The Chinese are paranoid about intrusion on their territory and the downed aircraft would have been located by a simple satellite search within hours of it crashing. Chinese military satellites crisscross the Gobi and they are equipped with optical cameras, microwave and infrared detectors and radar, so spotting a metal aircraft on the ground would be simple even if it was hundreds of kilometres off course. The crew would have been visited by Chinese military helicopters (and probably arrested!) as soon as the storm had died down.
Suggested correction: The Chinese government, for whatever reason, may have denied there was any crash at all if it suited their purposes, and the oil company that owned the plane would have little recourse. The Chinese have done this before. For the purpose of the plot, the survivors decided that they had to save themselves rather than wait for rescue and that was completely plausible.
Suggested correction: It's now 2021, and we still can't find Malaysian Airlines MH370. So this suggestion of planes always being found is laughable.
MH370 crashed into the ocean, and in fact some wreckage has been found. The Chinese military does not have the south Indian Ocean under satellite surveillance 24 hours a day, 365 days a year, unlike the Gobi desert where a crashed plane would be spotted within hours of it going missing.
Revealing mistake: When Lara Croft goes into the water near the end to try to save her male rival, Alex West, after he is stabbed and ground between the gears, when Lara stands up, you can see the make-up coming off her arm that covers Angelina Jolie's "Billy Bob" tattoo.
Visible crew/equipment: When Neo is going to open the door to enter the Oracle's house, you can clearly see a camera on the doorknob. There's a sheet over it painted to look like the wall behind it, with a representation of Morpheus' tie too, because he's blocked by the camera. (01:07:40)
Plot hole: The huge guns are set high up on a cliff face facing out to sea and it is obvious that they cannot be depressed to fire at a downward angle - the massive gun carriages set on rails would prevent that happening. They cannot be elevated to fire at an upward angle, too, because they fit pretty snugly in the hole cut into the cliff face to accommodate them. This means that their maximum and minimum ranges would be quite close together, covering a strip of maybe a few hundred metres either side. Given that the sea is completely open on the side of the island they are protecting, why don't the ships targeted by the guns while passing the island simply sail inside or outside of the narrow stretch of sea the guns can hit?
Suggested correction: The guns are firing across a strait. A strait is a "narrow passage." Since the targets must appear at a limited range, the guns only need a limited elevation angle.
Watch the film again. The guns are facing the open sea. There is no land visible anywhere behind the ships. If that's a strait, it's a very, very wide one.
Other summaries explain that the strait is only deep enough for the ships at the place which matches the guns' range. So ships could not take advantage of further away or closer in.
Suggested correction: That the gun carriages are supposedly set on rails is not correct. In the novel template, as well as in the film, it is shown that the guns were installed on turntables. And as for their variable angles of fire - it could be due to (fictional) modifications.
Factual error: Towards the end of the film, Solomon is trapped in a small Plexiglas box and fires his gun into the bulletproof sides numerous times, but the bullets don't ricochet or get embedded in the glass.
Other mistake: In the slaughterhouse scene, after Harrigan has injured the Predator with his shotgun and Keyes reappears, the Predator throws its disc, and severs Keyes in half at the waist. We see his legs flop to the ground, and blood pour from above, but his upper half (torso, backpack and weaponry) mysteriously remain hovering out of sight. (According to the director, the MPAA made him cut the footage of the top half of his body hitting the ground because it was too gory, creating this odd error). (01:21:50)
Suggested correction: We don't actually know if the disc completely cuts Keyes in half (or just passes through him and leaves a gaping hole). You see the blood, but the movie is edited so that it cuts back to Harrigan looking on in horror for a split-second, then back to Keyes' body on the floor (mostly obscured by a cement pillar).
They blatantly show his legs hitting the ground without the top half! I can only assume you watched an edited-for-TV version or something. It's VERY clear in the movie that he was cut in half. (In actuality, the scene was the victim of the MPAA according to the director... they had to cut the bit where the top half of his body hit the ground because it was too gory... creating this odd movie mistake).
Revealing mistake: When Anna and Hans are dancing in front of the lighthouse, we don't see the shadow of the railing or the ground they're standing on.
Factual error: Listening to a radio broadcast, live, since no other indication is given, Joe Louis is completing the 12th round of a fight. This is December 6, 1941. Joe's last fight of 1941 occurred in September, his next fight was January 1942. (00:00:10)
Continuity mistake: In the scene where the witch gives Mika the dagger to kill herself with, the witch stabs it into the floor. When the witch leaves the dagger is lying on the floor. When Mika goes to grab the dagger it is stuck in the floor again. (01:15:20)
Factual error: When Clark speaks to Jor-El for the first time in the Fortress, Jor-El says "I will have been dead for many thousands of your years..." Fine in theory - Baby Kal-El travelled to Earth at above light speed so time passed differently for him. However, as such, wouldn't Jor-El have seen Earth as it was thousands of years ago? Which also makes there a problem with all the things Kal-El was taught during his voyage to Earth, as Jor-El references Einstein by name, for instance, and he would not have existed at the point when Jor-El sent him to Earth.
Character mistake: Characters refer to the Dallas and the Red October as "ships," but anyone stationed aboard a submarine would know to call it a "boat."
Continuity mistake: There is a scene where the Chipmunks and Chipettes are singing the song "Girls of Rock and Roll." In that scene, it shows the boys walking up the stairs together and from left to right the order is: Simon, Alvin & Theodore. The shot goes to the girls then back to the guys. The order of the guys has switched: (left to right) Theodore, Alvin & Simon.
Audio problem: When Commander Taggert (Tim Allen) and Lt. Madison (Sigourney Weaver) first see the hallway with the chompers, she says, "Oh, screw that!" but if you watch her lips she clearly uses the 'f' word instead of 'screw'.
Suggested correction: The shuttle lands "on its back" with legs extending beyond the engines. As in most traditional sci-fi, and ALL actual, space flights to date, the launch (and landing) orientation for humans is to be on one's back. This minimizes blood being sucked down to your feet if you were sitting upright at launch - you could pass out. So we see this when the shuttle lands on the moon - the cockpit (red window) faces up (pilots on their backs, facing out the window). When we presume that the passenger cabin was 180 degrees spun around from the cockpit seating, they're still on their backs. Any loose objects would have been stowed before landing - the airlines don't lock down your bags, newspapers and coffee cups, right? They're loose in the cabin during flight, but put away on takeoff and landing.
Airliners do not fly upside down. The Orion shuttle cannot possibly operate the way it does if it lands in a gravity environment - some rooms are upside down relative to others - why else would the stewardess do the 180 degree vertical walk? It is an idiotic design flaw, and the posting is 100% correct.
The Aries passengers sit and stand with their feet down towards the moon. The pilots sit with their back down to the moon, as conventional astronauts do on Earth. But the attendant's 180-degree walk is completely wrong to the orientation of the shuttle's interior: it should have been only 90° if you look at the Aries exterior. One assumes that Kubrick preferred a longer, more cinematic shot, over a technically accurate shot. But nobody was upside-down to the moon.