Other mistake: There is something drastically wrong with the design of the spherical 'Aries' moon shuttle. Some seats and many fixtures are 'upside down' relative to the up-down orientation of the shuttle itself, and we see loose food trays and equipment about the place as if this is routine. But - the shuttle is designed to land on the moon. What happens then? The moon has gravity, remember? There are going to be quite a few very disgruntled people dangling upside down like spiders, and there will be loose gear (and perhaps a stewardess or two) bouncing about all over the place. It is not a matter of stowing loose gear or lying flat on landing - some parts of the shuttle are upside down relative to others, which is why the stewardess has to do that famous 180 degree upside down walk. Whichever way you look at it the shuttle is going to encounter serious problems when it reaches a gravity well, which will occur whenever the engines are fired up, never mind landing on the moon.
Revealing mistake: Most of the posed, fake displays in the ape's Museum of Natural History contain real people who are slightly moving if one pays careful attention. Especially noticeable are those posing with objects held in - or above - their hands.
Continuity mistake: When the team are about to jump from the cable car into the river, the view from ground level shows a bare road with no snow on it on the right and a line of trees on the left with German trucks parked next to them, but the view from the cable car shows a snow-covered road and no trucks beside the trees. (02:06:00)
Other mistake: The crew goes up to Calgary in January to extinguish an oil fire, yet there's no snow on the ground, the grass is green, and all the deciduous trees have leaves.
Continuity mistake: When Barbarella first has to go down for an emergency crash landing, she puts her right arm up to her head in panic. However in the next shot it is her left arm that is up to her head instead of her right. (00:12:35)
Continuity mistake: During the bombardment of the British Consulate, there are several continuity errors, including a self-repairing window and blind situated behind the piano. And it cannot be put down to the nature of the film because several errors have been carefully avoided.
Continuity mistake: During the song "Hey Bulldog," before the song starts the dogs are on a leash barking. When the song starts and the dogs stop barking, the leash disappears.
Continuity mistake: When Matt and Freya are in the car chase, the driver's side of Matt's car is badly damaged. After escaping their pursuers, they drive off (in the same car) and return to Copenhagen. When Matt pulls into town, the side of the car is intact again.
Suggested correction: The shuttle lands "on its back" with legs extending beyond the engines. As in most traditional sci-fi, and ALL actual, space flights to date, the launch (and landing) orientation for humans is to be on one's back. This minimizes blood being sucked down to your feet if you were sitting upright at launch - you could pass out. So we see this when the shuttle lands on the moon - the cockpit (red window) faces up (pilots on their backs, facing out the window). When we presume that the passenger cabin was 180 degrees spun around from the cockpit seating, they're still on their backs. Any loose objects would have been stowed before landing - the airlines don't lock down your bags, newspapers and coffee cups, right? They're loose in the cabin during flight, but put away on takeoff and landing.
Airliners do not fly upside down. The Orion shuttle cannot possibly operate the way it does if it lands in a gravity environment - some rooms are upside down relative to others - why else would the stewardess do the 180 degree vertical walk? It is an idiotic design flaw, and the posting is 100% correct.
The Aries passengers sit and stand with their feet down towards the moon. The pilots sit with their back down to the moon, as conventional astronauts do on Earth. But the attendant's 180-degree walk is completely wrong to the orientation of the shuttle's interior: it should have been only 90° if you look at the Aries exterior. One assumes that Kubrick preferred a longer, more cinematic shot, over a technically accurate shot. But nobody was upside-down to the moon.