American Horror Story

Season 1 generally

Plot hole: It's been established that if you die on the property, you remain as a ghost for all of eternity. However, in Season 8, Moira's bones are retrieved and buried in a cemetery so that her ghost can escape and join her mother. However not all the ghost's bones are buried on the property, we know for sure that the Black Dahlia was not buried on the property and it's not likely Tate, Vivian, Ben or some of the others are buried on the property as well so they should not be tied to the house.

ctown28

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Suggested correction: Tate's victims from the school shooting are ghosts who can move between different locations. There's nothing to suggest that the ghost of the Black Dahlia isn't merely choosing to be in the Murder House rather than being tied to it. The same goes for Vivien and Ben, since Violet is going to stay in the house, so might they.

Tate's victims cannot move around freely to different locations. The only time that they can is on Halloween, when all ghosts can move around freely but then return to their death location at the stroke of midnight. "OP" is a valid mistake.

ctown28

Curtain Call - S4-E13

Revealing mistake: When Elsa is waiting in the lobby, she's wearing a dress which shows her normal, not wooden legs. It's very apparent when she is crying on the floor.

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Show Stoppers - S4-E12

Trivia: They pay homage to the original 1932 movie Freaks. In Freaks, Cleopatra gets mutilated and turned into a tarred and feathered bird for visitors to gawk at in terror. Hercules gets viciously attacked under the carnival vehicle. In this episode, Stanley gets cornered by all the freaks under the carnival vehicle and gets viciously attacked and mutilated to resemble Meep (a feathered freak who was killed by the cops in an earlier episode).

Tricia Webster

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Answer: Moira's ghost form is unique because of the way she was treated when she was alive. To people who do not sexualize her and truly understand and view her for who she really (namely women), she is seen as an older woman. To people who objectify and don't care to see the truth (namely men), they see the young seductive Moria. It's a strong directorial choice to eventually show how Ben Harmen comes to terms with the truth of the house and himself.

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