Agatha Christie's Poirot

Agatha Christie's Poirot (1989)

7 continuity mistakes in The Disappearance of Mr. Davenheim - chronological order

(6 votes)

The Disappearance of Mr. Davenheim - S2-E5

Continuity mistake: During the conversation between Lowen, Hastings and Japp through the car window, in his close-ups Tony Mathews moves his torso closer to the window and then back towards the wheel, several times. That is not always reflected accurately in the reverse shot with just the shoulder visible. For instance, right at the end of the scene, he leans in saying "Good God, you don't think you can keep a thing like that secret, surely", but his body is exactly in the same spot in the shots before and after. (00:24:20 - 00:25:10)

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The Disappearance of Mr. Davenheim - S2-E5

Continuity mistake: The race is presented through actual footage of the era, with a cameraman from Pathe shown, saying that Lowen's car is number 3. But the car shown in the stock footage is different from the one Lowen is driving, which does not even have the number in the same position. (00:33:10 - 00:33:45)

Sammo

The Dream - S1-E10

Plot hole: Nobody hears the sound of a gun being fired past a door they were waiting almost in front of, and the police cannot tell apart a shot fired point blank by one fired 20 feet away and probably at a very sharp angle. Moreover, the bleeding should be all over his face, since leaning the way it is shown in this adaptation is most likely to lead the victim to fall over, and even leave bloodstains out of the window and on the ground below, which someone would have noticed in the crowded factory.

Sammo

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Problem at Sea - S1-E7

Trivia: Poirot in the ship's lounge is reading the actual May 1st 1935 issue of Bystander (recognizable by the cover and with the correct page order, does not seem to be a simple movie prop), roughly consistent with the time frame of the first season and a contest taking place on the 14th. (00:07:50)

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The Murder of Roger Ackroyd - S7-E1

Question: The doctor (James) put on a Dictaphone to make the suggestion that Roger Ackroyd was alive at 21:30 hrs. But how could he know that someone (Paton) would pass the door of Ackroyd's study at precisely that moment?

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