Agatha Christie's Poirot

Agatha Christie's Poirot (1989)

2 factual errors in Four and Twenty Blackbirds - chronological order

(5 votes)

Four and Twenty Blackbirds - S1-E4

Factual error: At the art gallery, Poirot and Hastings are looking at a painting identified as "Man Throwing a Stone at a Bird" by the surrealist Joan Miro. But the painting featured is completely different from the real one. (00:21:50)

Sammo

Four and Twenty Blackbirds - S1-E4

Factual error: Great accuracy went into the dates of this episode - Hastings is following the outcome of the so called "Verity's Match", the 2nd test of the 1934 Ashes series, Australia vs England. The events then should happen between the 22nd and the 25th of June, 1934, compatible with the murder happening on the 16th, and being discovered 3 days after. This however puts it a year before "Murder in the Mews", previous episode where Poirot's dentist was referenced, and that happened in 1935 as stated in the letter to the Chinese laundry.

Sammo

The Mysterious Affair at Styles - S3-E1

Plot hole: Can't fault this massive plot hole to the adaptation, but to the source material; the culprit (forgetting the stupidity of writing an incriminating letter detailing the plan to murder someone, and put it in a desk he shares with her) since there are people outside the room that are about to enter, tears the letter in 3 neat vertical strips, rolls them, puts them in the vase on the mantlepiece, and then opens the side door to slip away...instead of simply pocketing the letter and going through that same door. Nobody was going to search him or anything and could have burned it, torn it into confetti, anything, later. It takes way way longer to do what he did, which needed him to stay there in the room increasing the chances of being found out. And of course he and his accomplice do not retrieve the letter after.

Sammo

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The Murder of Roger Ackroyd - S7-E1

Question: The doctor (James) put on a Dictaphone to make the suggestion that Roger Ackroyd was alive at 21:30 hrs. But how could he know that someone (Paton) would pass the door of Ackroyd's study at precisely that moment?

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