Agatha Christie's Poirot

The Cornish Mystery - S2-E4

Continuity mistake: When Japp does the comical fistwave at Poirot at the end, Poirot's carriage is passing by a line of people (woman with red coat, young woman with greenish one) that already passed by when the constable was giving the 'bad news' to Japp. (00:48:20)

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The Disappearance of Mr. Davenheim - S2-E5

Continuity mistake: During the conversation between Lowen, Hastings and Japp through the car window, in his close-ups Tony Mathews moves his torso closer to the window and then back towards the wheel, several times. That is not always reflected accurately in the reverse shot with just the shoulder visible. For instance, right at the end of the scene, he leans in saying "Good God, you don't think you can keep a thing like that secret, surely", but his body is exactly in the same spot in the shots before and after. (00:24:20 - 00:25:10)

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The Disappearance of Mr. Davenheim - S2-E5

Continuity mistake: The race is presented through actual footage of the era, with a cameraman from Pathe shown, saying that Lowen's car is number 3. But the car shown in the stock footage is different from the one Lowen is driving, which does not even have the number in the same position. (00:33:10 - 00:33:45)

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Double Sin - S2-E6

Continuity mistake: Madame Durrant is showing the niece the medallions she is supposed to sell. In close-up you can see her holding the suspension ring with her right hand, and her left hand too, on the side, with the thumb on it. But in the wider shot, she is using merely the side and back of the left hand for support, the thumb being at distance from the jewel. (00:08:20)

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Double Sin - S2-E6

Continuity mistake: Poirot has just been 'beastly' with Japp, in Hastings' words. In the establishing shot of the town square before the bus, a woman in orange (Miss Durant as we'll learn) pass by the ice cream cart. That same woman passes again the same spot as the camera is behind the cart, following the policeman and then getting Poirot and Hastings in frame. The driver and the man he was talking to are also in a different spot as that happens. (00:11:10)

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Agatha Christie's Poirot mistake picture

Double Sin - S2-E6

Continuity mistake: In the car chase, when the woman turns to check the police behind them, the close-up on the steering wheel does not match the position of her hands before and after. Similarly her passenger has the right hand visible when it shouldn't be. (00:28:45)

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Agatha Christie's Poirot mistake picture

Double Sin - S2-E6

Continuity mistake: When Hastings storms out of the antique store claiming to have solved the case, Poirot follows him until he turns into an alley. In the view from the back of the alley, there's a man with a hat who walks all the way past Poirot and turns the corner into the main road. In the reverse angle, the guy is still walking down the alley in front of Poirot. (00:42:30)

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The Adventure of the Cheap Flat - S2-E7

Continuity mistake: Hastings, Japp (for some reason) and Poirot are at the movies; when the camera pans through the room, there's a guy sitting behind Hastings, while behind Poirot there are a red haired woman and a man, as confirmed by the close-ups. When the music stops and Hastings tells Poirot that he can open his eyes, the couple have moved behind Hastings. (00:02:50)

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The Adventure of the Cheap Flat - S2-E7

Continuity mistake: During the party, the establishing shot shows everyone in the small circle Poirot is a part of having a glass of champagne. That includes Mr. Robinson. As Poirot puts on the tray his own glass, someone's hand reaches over for another - it can only be Mr. Robinson's, as his wife is wearing gloves, but he never put down his own glass. (00:06:05)

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The Adventure of the Cheap Flat - S2-E7

Continuity mistake: In the first scene with the 'G-Man', the room in the shots with the camera roughly by his shoulder is lit in a different way, with his body fully in the 'sun'. Especially visible when he picks up the phone and starts spouting yankee-isms going all "Yeah yeah so what yeah." (00:09:00)

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The Adventure of the Cheap Flat - S2-E7

Continuity mistake: Poirot is doing his round of phone calls at night clubs looking for the chanteuse; the pen before Hastings' arrival is pointed to the left side of the screen, when he sits down (and Poirot has not touched it) it points to the right. (00:24:40)

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The Dream - S1-E10

Plot hole: Nobody hears the sound of a gun being fired past a door they were waiting almost in front of, and the police cannot tell apart a shot fired point blank by one fired 20 feet away and probably at a very sharp angle. Moreover, the bleeding should be all over his face, since leaning the way it is shown in this adaptation is most likely to lead the victim to fall over, and even leave bloodstains out of the window and on the ground below, which someone would have noticed in the crowded factory.

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Problem at Sea - S1-E7

Trivia: Poirot in the ship's lounge is reading the actual May 1st 1935 issue of Bystander (recognizable by the cover and with the correct page order, does not seem to be a simple movie prop), roughly consistent with the time frame of the first season and a contest taking place on the 14th. (00:07:50)

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The Murder of Roger Ackroyd - S7-E1

Question: The doctor (James) put on a Dictaphone to make the suggestion that Roger Ackroyd was alive at 21:30 hrs. But how could he know that someone (Paton) would pass the door of Ackroyd's study at precisely that moment?

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