Night Gallery

Night Gallery (1970)

2 mistakes in They're Tearing Down Tim Riley's Bar - chronological order

(1 vote)

Night Gallery mistake picture

They're Tearing Down Tim Riley's Bar - S1-E17

Continuity mistake: When William Windom comes into his office, we see a stone wall in the background, with a wall clock, a painting and a credenza, but when Bert Convy comes in through the same door later, the background is completely different. And again, when William Windom leaves his office after he's been fired, the background has changed again. (00:03:30 - 00:07:10)

Rod Serling: Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.

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Camera Obscura - S2-E36

Trivia: The closing scenes were shot through green-gold filters to give the streets a drab, hellish appearance. An appalled film lab technician tried to dye the sequence pink, and defied the director's order to "leave it green." NBC, the lab tech argued, would never accept those scenes because this was supposed to be color television. After demanding several re-dos, the director won the shouting match, the green prevailed, and NBC, apparently, never noticed.

Jean G

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