Once Upon a Time in the City of New York - S1-E1
Continuity mistake: The scars and stitches on Catherine's face don't remain consistent from one shot to the next. (00:23:20)
Continuity mistake: When Vincent sits on the precipice over the underground cavern and talks to Father, his face is in shadow. When the camera angle changes, his face is suddenly illuminated with yellow light. (00:22:00)
Continuity mistake: Catherine enters the DA's office and passes his dart board. The six red and green darts lodged in the board rearrange themselves between takes. The colors are in a mixed pattern when she enters. One shot later, all the red darts are above all the green ones. When she pulls them free, they've returned to their original pattern. (00:36:00)
Other mistake: When Vincent is talking to Father about going to the masquerade party, you can see that both of his hands have fur and claws, but when he puts his hand on Father's shoulder and says "Don't worry", his hand is normal.
Beast Within - S1-E6
Continuity mistake: Frank and Catherine drive up to the loading dock and park in front of a bright orange 18-wheeler that's being unloaded in the background. When they get out of the car in the next shot, the orange truck has instantly jumped to a spot much farther down the dock, at least 50 feet away. (00:10:00)
Beast Within - S1-E6
Continuity mistake: When Frank takes Catherine into the break room to meet his crew, two styrofoam coffee cups on the table keep moving closer together, then farther apart and back again throughout the scene. (00:11:10)
Beast Within - S1-E6
Continuity mistake: During the scene in the old man's apartment, a broken lamp can be seen already on the floor in the background - before the fight begins and before one of the thugs is shown throwing it there. (00:15:00)
Beast Within - S1-E6
Plot hole: The mob hitmen are about to enter the Sweeny family's house to kill them when the police van arrives to move them to a witness protection safe house. In the next scene, the bad guys abduct Catherine and try to force her to reveal where the Sweenies have been taken. Why? They could very easily have waited and simply followed the van. (00:36:30)
Continuity mistake: At the end, Hughes is stabbed and falls against the basement wall, touching it. When Catherine kneels down beside him a moment later, he's lying several feet away from the wall. (00:45:30)
Continuity mistake: When Catherine first approaches, Father is sitting on the cot leaning against the bars at the very front of the cell. In the next shot, as she walks past him, he is abruptly sitting on the other end of the bed, several feet away. (00:31:00)
Dark Spirit - S1-E9
Visible crew/equipment: When Catherine enters Professor Ross' office, a boom mic dips into the shot. (00:05:45)
Dark Spirit - S1-E9
Visible crew/equipment: In the parking garage, Catherine's car captures a reflection of both the camera crew and the studio lighting panels. (00:26:00)
Dark Spirit - S1-E9
Continuity mistake: At the end, Catherine is face down on the floor as the voodoo cultist ties her hands behind her back. When the shot cuts, she's abruptly turned face up. (00:45:30)
An Impossible Silence - S1-E11
Continuity mistake: When Catherine enters the precinct station, the desk sergeant places a small white file box on the counter. There's nothing else sitting next to this, but when the shot reverses, a tall black police radio with an antenna sticking up has appeared there. (00:16:10)
Continuity mistake: The gold coin Vincent finds on Catherine's balcony changes from one scene to the next. When he picks it up, there's a very small section of it missing on one edge. When he shows it to Father in the following scene, nearly a third of it is cut away. (00:06:05)
Revealing mistake: Pascal pronounces Winslow dead - but the "corpse" is still noticeably breathing. (00:31:30)
Answer: (Episode 1x19 "Everything is Everything") It's not a regular court or judge, it's a Gypsy "kris" (court) to determine a new judgement for the boy, Tony, and it's headed by Milo, who is the Gypsy King. Milo had two sons, elder Eric (Tony's dead father) and Vick (Tony's uncle), who framed Eric for theft from the family business, and it was Milo (he didn't know the truth) who held the earlier "kris" which declared Eric, his wife and son, Tony, to be "marime" as if they're all dead and had them banished from the community. Then Tony's parents were in a fatal car accident in Chicago, and before Eric died he told Tony the truth about how and why Vick framed him. Now at the new "kris" Tony has the chance to speak to prove his father's innocence, and tells everyone that Vick lied and stole the money, then framed his father because Eric had been next in line to be the Gypsy King. Milo tells Tony that his word isn't enough for a verdict and he must show proof. Tony tells his grandfather that Eric gave him a letter, while on his deathbed, in order to clear his name and punish the guilty. When Tony pretends to read the letter (remember, we learned Tony can't read), he starts out as if the letter was written to his father, Eric, and cleverly pretends that it was written by Vick's accomplice from the theft (Vick's friend sitting behind him, who also works at the body shop), admitting to the frame-up. As Tony keeps "reading" we see Vick turn around to his accomplice and say, "You fool!" for the letter's admission of guilt, and then the accomplice replies loudly, "I didn't write no letter... You said nobody could prove nothin'!" for everyone to hear. So after the truth has come out, Milo shows Vick the letter which only has squiggly lines on it, just so Vick understands that even though the letter wasn't real, he and his accomplice still admitted their guilt for the theft, and now they will be "marime" as if they're dead and banished from the community. Vick did not murder Tony's father, and he's not arrested.
Super Grover ★