Starring: Grayson Hall, Jonathan Frid, Alexandra Isles, Nancy Barrett
Factual error: 1968: The basement's brick wall crumbles to reveal Trask's skeleton hanging in the alcove. Only it shouldn't be. Bodies do not remain assembled once the flesh and sinew are gone. Trask's remains ought to be a large pile of bones on the floor.
Factual error: 1966: Ohrbach's, the fashion house that supplied Dark Shadows with costumes throughout its run, suffered the indignity of seeing its name misspelled as "Orhbach's" in many of the 1966 credit crawls.
Continuity mistake: Over the course of many Dark Shadows episodes set in the year 1795, Countess Natalie Dupres' dark, distinct, three-dimensional facial mole changes sides from left jaw to right jaw, briefly vanishes altogether, then returns as a faint, painted beauty mark on her right jaw.
Quentin Collins: Of course a woman is going to kill me. I wouldn't have it any other way.
Trivia: Barnabas is typically seen wearing a gold ring with a large black onyx stone on his right hand (as also depicted in both of his portraits). However, depending on the requirements of the camera shot, the ring occasionally appeared on his left hand (as when Barnabas reached from his coffin to strangle Jason McGuire, for one example).
Question: Which 1967 episode or what specific story line has Louis Edmonds in close-up because he didn't have time to put his pants back on?
Answer: There seems to be some confusion among Dark Shadows fans as to the episode: Some claim it was Episode 54, while others claim it was Episode 85. However, the scene actually appeared in Episode 86. Louis Edmonds (as Roger Collins) thought he had completed all his shots for the day and was removing his costume when he was reminded that he had one more shot. With only seconds to spare, Edmonds hurried back to the set without his pants or shoes (some whispering and shuffling is heard in the background just before the camera goes live). Whereupon, with an amused expression, Edmonds pours himself a brandy and strolls across the study before delivering his last line, a toast: "Miss Victoria Winters, no matter where you are." The shot was slightly adjusted to only cover Edmonds from the elbows-up.
Thank you so much! I had it narrowed down to 3 episodes and the actual one was among them. Thank you again.
Answer: Yes...episode 193 is the only episode to include all three clues (character Maggie appears earlier, character Roger is in a smoking jacket, and lastly, he has brandy in hand and elbows are atop the liquor cabinet. It the last scene in the black and whit episode where Sam Evans is demanding that his paintings back from Roger. And if you keep your eyes on Sam, you will see him glance downward twice at Roger. This eoisode is in Collection 6, disk 2 and even though it's listed in the Dark Shadows Companion as episode 193, the slate at the very beginning says episode 58.
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Answer: It's probably episode 193 (even though the slate at the beginning says 58). It's the episode with Sam demanding that Roger return his paintings. Three clues from the Dark Shadows Companion and from the comments of Kathryn Leigh Scott and Louis Edmonds all agree that 1) Scott is in the episode and is done for the day prior to Edmonds without his pants; 2) Edmonds is wearing a smoking jacket, and 3) Edmonds is leaning on the mantle (which is actually the cabinet where the liquor is, because the fireplace mantle is too high to lean on and the bench in front of it prevents getting too close to). There are several "breaks" in the lengthy scene where commercial were probably inserted, and all of the shots are above the waist. The previously mentioned episode 54 has Edmonds in a suit and Scott isn't in the episode; episode 54 doesn't have Edmonds or Scott; and episode 86 only has Edmonds in a suit.
Lou Edmonds was a consummate actor and would not forget that he had a lengthy scene to perform. Rather, in Episode 86, Edmonds more understandably forgot that he had to perform one last 15-second scene (a simple toast). He had removed his shoes and pants before he was reminded of the final, brief shot, and he hurried back to complete it.
Charles Austin Miller