Exodus (2) - S1-E24
Continuity mistake: At the airport, when Hurley rushes to make his flight the sweat stain on his t-shirt changes drastically between shots, so by the time he boards the plane - it goes from drenched to much less wet.
Exodus (2) - S1-E24
Continuity mistake: After Sawyer ties the rope to the rudder, they pull him toward the raft. In the shot just before Michael says, "Come on, buddy," the sail is completely up, yet in the previous and following shots the sail is down. (00:35:30)
Exodus (2) - S1-E24
Continuity mistake: When Sayid and Charlie find Danielle and Aaron, the baby is wrapped in Danielle's sweater. The sweater jumps on and off Aaron's face, etc., depending on various camera angles. (01:07:30)
Exodus (2) - S1-E24
Continuity mistake: On the raft, when Michael walks over to Jin with the translation notebook, as Jin tinkers with the rudder, Jin's hand and handcuff change repeatedly in the following shots. (00:47:15)
Exodus (2) - S1-E24
Continuity mistake: In the shot of Michael, just as the raft hits the log, the "ladder" and sail are directly behind him and Sawyer is gone, whereas in the previous and following shots Sawyer stands on the ladder, in that exact spot. (00:34:00)
Exodus (2) - S1-E24
Continuity mistake: When Sayid goes over to Shannon to help her with her luggage her trunk falls down open and some clothes fall out. Then Sayid picks up some shirts. But when it cuts to Shannon grabbing them from him he is holding fewer and different looking shirts than he picked up first. (00:16:15)
Exodus (2) - S1-E24
Continuity mistake: When Charlie inadvertently releases Danielle's trap, he is hit by a downpour of falling rocks. The blood on his face, hands, etc., noticeably changes between shots. (00:49:55)
Exodus (2) - S1-E24
Continuity mistake: In the first shot of Locke sitting in the wheelchair, in the airport lounge, he sits alone directly in front of the long rows of chairs. However, in the next overhead shot, the airline steward is at Locke's side as he sits near the large windows, nowhere near the chairs. (01:03:15)
Exodus (2) - S1-E24
Continuity mistake: In the Oceanic Int'l departure lounge, Locke sits in his wheelchair near the large window, with the doomed plane in the distance. The attendant's desk is on the left, but the black lounge chairs, which are normally situated toward the center of the lounge, are gone in this shot; the chairs at the end of each row should be visible at this angle. These chairs are also seen when Hurley crashes the scooter into them. (01:03:15)
Exodus (2) - S1-E24
Continuity mistake: At the airport, after Sun spills coffee on Jin, as he heads to the lavatory the large stain on his dress shirt is at the same height as the shirt pocket, yet, in the next shot the stain is much lower, below his stomach. (00:12:25)
Exodus (2) - S1-E24
Continuity mistake: When Michael sits with Walt at the airport, Michael says, "If you're worried about Vincent," and the newspaper in his hands is folded and held straight up with the blue Oceanic envelope. but when he says, "Dogs fly in the luggage compartment all the time," the way the newspaper is folded and held is different, and there is no blue envelope. (00:30:55)
Exodus (2) - S1-E24
Continuity mistake: In 'House of the Rising Sun' (01-06) Charlie tells Locke the man at Sydney Airport made him check his guitar. However, in this episode, we see Charlie squeezing his guitar into a luggage compartment onboard the plane.
Exodus (2) - S1-E24
Continuity mistake: When the spotlight shines on the raft, Jin is hugging Walt in one shot and holding on to the raft in the next. (00:32:40)
Exodus (2) - S1-E24
Continuity mistake: When Hurley finds out he is at the wrong check-in desk, the staff member is holding his ticket and passport. The position of the ticket is constantly changing. (00:12:20)
Exodus (2) - S1-E24
Continuity mistake: When Sayid puts the gunpowder on Charlie, the amount and position of the gunpowder changes between shots. (00:09:30)
Answer: Using a mold, a realistic pregnancy belly is made of latex (rubber), including the distinct belly button, to suit the proportions of Emilie de Ravin who plays Claire. It is then painted with a special paint/adhesive compound that adheres to the surface and for shots of the actual belly, additional veining and stretch marks are airbrushed on.
Super Grover ★