The Andy Griffith Show

Barney Fife, Realtor - S5-E16

Revealing mistake: While Barney's explaining to Andy his new interest in realty they both walk to the back room, and just as they pass through the doorway the camera tracks too far to the left, so we can see the edge of the set wall and the rest of the back wall is missing. (The following shot is from the direction of that missing wall).

Super Grover

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Aunt Bee's Invisible Beau - S5-E27

Revealing mistake: When Clara and Aunt Bee are talking in the kitchen, in the closeups facing Aunt Bee we see the counter, the cabinet, and the wall, but what we don't see are the curtains, the window, or the windowsill, which all should be on that wall. The fake window wasn't placed on the set wall for Bee's closeup.

Super Grover

Off to Hollywood - S6-E7

Revealing mistake: When the bus pulls up for the Taylor family to leave for Hollywood you can see behind the bus a California freeway with cars moving in both directions. I don't think that Mayberry had a freeway right outside town. The scene is fixed when they return in "Aunt Bee on TV." There has been a tree put there so the road wouldn't show.

wolfman

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The Taylors in Hollywood - S6-E8

Revealing mistake: When Andy, Aunt Bee, and Opie are visiting the studio set while the scene between fake Aunt Bee and fake Andy is being filmed in a fake Taylor living room, note that behind the real Taylors we can see bits of the interior of their Mayberry house scattered in the background offstage. Some things to look for include their living room's stone wall with the mantle, their two reddish chairs (one with the fringe at the bottom), and a wall with their distinctive gold/silver design wallpaper. It's particularly funny when Opie looks at the "fake" living room set and comments, "Is that our house? It sure looks different!" while we the viewers can see the "real" Taylor set behind him. (00:20:35)

Super Grover

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The Taylors in Hollywood - S6-E8

Revealing mistake: While Andy, Aunt Bee, and Opie are at the Hollywood studio watching a scene being filmed, when Andy mistakenly stands up and interrupts the filming we can see the wall and shelves behind the director, and it should look familiar because it's the wall and shelves from Floyd's shop in Mayberry.

Super Grover

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The Hollywood Party - S6-E9

Revealing mistake: When Andy arrives at the studio for the publicity shots, while he's speaking to Mr. Michaels note that behind them we can see the Taylors' Mayberry kitchen cabinet/counter and a wall with their distinctive gold/silver design wallpaper. (00:03:50)

Super Grover

The Darling Fortune - S7-E6

Revealing mistake: While Goober is up in the tree with the fake owl, when Andy and the Darlings leave the house they are standing on the porch, and after seeing the 'second omen' the Darlings leave the porch and head to their pickup truck, but what's funny is that we can see their reflections in the window behind Andy as they all walk off camera, turn around and just stand there, and we can still see those actors' reflections in the shots facing Andy and Aunt Bee even as the Darlings supposedly drive off.

Super Grover

Goodbye, Dolly - S7-E25

Revealing mistake: During the scenes with Opie and Dolly in Walt's barn, the horse is wearing a halter with a ring under the adjustable chinstrap, and in every closeup a thin wire (like picture wire) can be seen attached to the ring as it's being pulled from offscreen to have Dolly turn her head away from Opie. Then later when Walt returns and tries to feed Dolly, once again a thin wire attached to Dolly's halter is pulled from offscreen, so she will turn her head away from Walt. (00:05:55 - 00:18:20)

Super Grover

Aunt Bee's Big Moment - S8-E23

Revealing mistake: In the close-up shot of Aunt Bee in the airplane as she starts the roll for her solo flight, as she passes out of frame you can see the inside door latch hardware, revealing that the door has been left open or removed for the shot.

JohnJohnD

Mayberry R.F.D. - S8-E30

Revealing mistake: At about 1:15 into the show, as they walk past the train station ticket window, you can see daylight between the wall of the ticket window and the rest of the building, showing it's just a prop building. It's fixed the next time they walk past it.

terry s

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The Taylors in Hollywood - S6-E8

Revealing mistake: While Andy, Aunt Bee, and Opie are at the Hollywood studio watching a scene being filmed, when Andy mistakenly stands up and interrupts the filming we can see the wall and shelves behind the director, and it should look familiar because it's the wall and shelves from Floyd's shop in Mayberry.

Super Grover

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Opie's Group - S8-E9

Andy: Clara, sometimes a parent can't see what he should do, and sometimes it takes a person from the outside to show him. And I'd like to thank you.
Clara: Groovy.

Super Grover

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Convicts-at-Large - S3-E11

Question: Beginning with the "Convicts at Large" episode in season 3, full width window boxes appear at the bottom of both front windows on the inside of the Sheriff's Office. Prior to this episode, they did not exist. Window boxes are often used to display decorative plants but I don't see any plants. And if they were supposed to partially block the background, the blinds were long enough to accomplish that. I find it hard to believe that the producers would spend additional money (for material and labor) for something that seems to serve no purpose. So why were they added?

Answer: Those "boxes" are valences that used to be very common, before air conditioning. They allow for windows to be open during rain storms. They permit air circulation, without letting the rain in.

Answer: As noted in the previous answers, in real life, things like this provided wind and/or rain deflection, and also maintained a bit of privacy when blinds were raised somewhat. The interior courthouse set was located in the studio, so the "outside" Main Street didn't exist. I believe these things were added to the courthouse windows for practicality, to avoid some crew movement being visible on the opposite side of those windows. These are not "window boxes" to hold anything, as they're actually bottomless; we can see the Venetian blind's long pull cords under them. They're made of plywood and simple to build, so the "material and labor" was inexpensive. Similar variations made of different materials are in other movies/shows. In 1957's "12 Angry Men," textured chicken wire glass panels are in the jury room windows, and in "Jesse Stone: Night Passage" another type is in Jesse's office windows.

Super Grover

Answer: I suspect these were common, as to block the wind from blowing the blinds and papers on the desk.

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