I Love Lucy
I Love Lucy mistake picture

The Star Upstairs - S4-E25

Continuity mistake: When Lucy's locked out on the penthouse balcony, Ethel places the broom handle through the small round finger hole of the scissors, with the large oval finger hole to the right of the round hole and the blades pointing out, then holds the scissors in place as she puts the broom over the balcony rail. When Lucy retrieves them from the broom, the scissors have flipped over. The blades are pointing out and the broom handle is still through the small round finger hole, but now the large oval hole is to the left of the round hole. (Impossible to do on its own. Try it). (00:19:05)

Super Grover

Ricky Sells the Car - S5-E4

Continuity mistake: The Mertz' check out of the hotel and are in the garage on a motorcycle. Later they are back in their hotel room with Fred napping in a chair with a hurt shoulder.

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Suggested correction: Ethel and Fred checked out of room 317, intending to leave. Later, after their motorcycle crashed, Ethel and Fred checked back in and were given room 372 (time codes 00:09:05 and 00:12:15), so Fred (with his hurt shoulder) is napping in the chair in his and Ethel's new room. There's no continuity mistake.

Super Grover

The Ricardos Are Interviewed - S5-E7

Continuity mistake: When Ricky's new agent insults the apartment building Ricky explains that Fred and Ethel are their best friends, and we see Lucy drop the toy train onto the chair and take hold of the jack-in-the-box toy (in the crook of her left arm) with her right hand, but when it cuts to the closeup the toy train is back in Lucy's right hand and the jack-in-the-box toy is once again held in her left arm. (00:03:50)

Super Grover

Return Home From Europe - S5-E26

Continuity mistake: As Lucy gets up from her airplane seat holding the big hunk of cheese wrapped in a blanket she is masking as a baby, it bends in half as if it were already cut. This is the scene before she sneaks off to the kitchen to cut it apart. In prior scenes, the cheese is intact and solid. (00:17:10)

Paco386

Desert Island - S6-E8

Continuity mistake: During the scene set in the boat there is no land seen, but in the shots outside the boat, the land is present. In the same scene Ricky is wearing a wide-collared shirt but in the location part, he is shown wearing a white T-shirt.

luke f

Lucy and Superman - S6-E13

Continuity mistake: In this episode, Lucy goes out on the window ledge. In "Lucy Cries Wolf", the window ledge was very different: the walls were made of dark brick instead of concrete blocks, there was no downspout, and the ledge went into the corner and stopped, no continuation on the other wall.

Lucy Hates to Leave - S6-E15

Continuity mistake: When Lucy buys back her coffee table, Ethel and Fred move it to the kitchen in the Mertz's apartment. The door to the Mertz's kitchen (with its doorknob on the right) in this episode opens the opposite way, inward towards the inside of the kitchen, and not outward in the direction of the living room, as seen in all previous and following episodes, including the very next episode. (00:17:55)

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: The kitchen is a double hinged "saloon style" door. The door opens both ways, just like in a restaurant and most kitchens of the era. This is evident in many episodes.

You're confused. Rewatch the episode, please. Your correction is describing the Ricardo apartment; it's Ricky and Lucy who have the kitchen with that swinging door, which you describe as "double hinged saloon style" that opens both ways. This mistake is actually referring to the Mertz's apartment, and their door leading to their own kitchen is a standard door with a doorknob and it always opens only one way - outward into the living room. It's only in this specific episode the Mertz's kitchen door is attached to the door jamb differently, and it opens inward into the kitchen. The mistake is absolutely valid.

Super Grover

Lucy Hates to Leave - S6-E15

Continuity mistake: In the episodes where Lucy and Ricky are Getting Ready to move to the country, there are shots in the Ricardos' bedroom that shows a wall on the right hand side of the room. In previous episodes, there was a window where the wall appears during the later 'moving to Connecticut' episodes.

Bobby1956

Country Club Dance - S6-E24

Continuity mistake: When Lucy and Ricky are discussing the dance at the beginning of the episode and she turns away from him after she tells him "that's all there is to it," however in the next shot she is still facing towards him.

luke f

I Love Lucy mistake picture

Lucy Gets Ricky on the Radio - S1-E32

Visible crew/equipment: At the start, after Fred and Ethel walk in, when Lucy and Ethel walk away from the kitchen shutters carrying things, the stage microphone and stand can be seen at the right side of the screen. (Later in the episode, when Lucy and Ricky appear in the quiz segment an identical microphone is on stage with them). (00:00:35)

Super Grover

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Show generally

Question: I know this show is from the time period when a lot of couples had two beds in their room. Just out of curiosity, when did it become acceptable to show a couple's bedroom with a single bed on TV?

Answer: According to Snopes.com, there is no definitive answer, but the mid-1960s is the most verifiable date with "The Munsters" being cited as the first, although others claim "The Brady Bunch" showed the first couple seen in a double bed. An early TV show from the late 1940s titled, "Mary Kay and Johnny" is also thought to have shown the married couple's bedroom as having a double bed, although probably not with them in it. However, this was when TV was aired live, and there are no surviving episodes, only anecdotal accounts.

raywest

Something that is funny is that in the movie "A Christmas Story," they show the parents having two twin beds in their bedroom. In a real situation, they should have shown them having a double bed. Lucy and Ricky had twin beds pushed together in an early episode, which would have been pushing television boundaries in that time.

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