
Visible crew/equipment: Livia tells Tony that Junior was looking for him and that he sounded agitated. It then cuts to a long shot of Satriale's, and at the right side of the screen, we can see the reflection of the boom operator holding up the boom pole/mic.

Visible crew/equipment: At the hotel's complimentary breakfast buffet, Paulie loads up a plate filled with Danish and Yoplait for the drive down to Florida. It then cuts to the Wycoff Therapeutic Center, and at the start of this first shot, we can see the boom operator (papers in the back pocket) with left arm up, at the right side of the screen. The reflection of the moving boom pole is also visible over the fireplace mantle.

Denial, Anger, Acceptance - S1-E3
Visible crew/equipment: When Tony and the other guys visit Jackie at the hospital, there's an actor's tape mark (toe box type) on the floor, between the bed and the green chair.

Visible crew/equipment: After Dr. Melfi tells Tony, "I know seniors who are inspired and inspiring," when it cuts to Christopher and Brendan waiting outside the club, the red T-mark taped to the ground is visible at Adriana's feet.

Pax Soprana - S1-E6
Visible crew/equipment: When Mikey Palmice arrives at the poker game and begins to pummel Sammy, an actor's red tape mark is visible on the floor under the card table.

Continuity mistake: At the hospital, when Agent Harris presents his business card in case Tony changes his mind, Harris holds his card at its bottom so it's up over his hand, but in the next shot facing Tony, Harris holds the card at its top so it's below his hand, and it continues this way in the next shot as Carmela takes it from his hand.

Visible crew/equipment: While Corrado and Mikey are at Mariolina's wake, just as Corrado says, "Where he spills his guts on some shrink's carpet," we can see the yellow tape mark on the carpet where Corrado had been standing.

Visible crew/equipment: After Paulie and Silvio hug AJ and Meadow at the hospital, when Meadow tells them Tony is with Carmela, we can see the boom pole and mic's moving reflection on the glass, at the top of the screen. Then, as AJ tells Meadow that he doesn't believe it was a carjacking, the mic's reflection dips into view again on the glass.

Continuity mistake: When Christopher is trying to get rid of the body into the bin, his arms are constantly changing between crossed and hanging at his side. (00:30:30)

Continuity mistake: Tony gets out of the car near the start and there is no glass on the floor, when he calls Christopher over, broken glass on the ground has appeared.

The Legend of Tennessee Moltisanti - S1-E8
Visible crew/equipment: When Tony gets out of the car to go looking for the weapons hidden in Livia's room at the nursing home, the camera and a big light panel are reflected on the car's door when Tony closes it, as well as the dolly track, which is on the steel bumper before the shot goes forward on Tony while rescuing the bag from the trunk. (00:23:01)

Visible crew/equipment: In the show's opening title sequence, in the moment where Tony Soprano passes with his car through the tollbooth, the cameraman's legs, sitting next to him, are reflected on the windshield.

I Dream of Jeannie Cusamano - S1-E13
Continuity mistake: When Tony has a talk with his mother Livia while she's lying on the stretcher and has been carried by paramedics, he puts first his hands on the stretcher's supports; then in the next shot, he puts them on Livia's face. (00:53:26)

The Legend of Tennessee Moltisanti - S1-E8
Visible crew/equipment: When Agents Harris and Russo knock on Tony's glass door from the backyard to ask him to open the door from the main entrance in order to explain to their kids that they're "having visits", as Tony closes the glass door, a stage light is reflected on it. (00:36:24)

Continuity mistake: Tony and Paulie rent a boat. After they cast off and get underway, Paulie is standing at the aft of the boat, not moving. Behind Paulie, there's a closed door with the boat rental information posted on it. As the boat continues to head out to sea, in the next shot of Paulie, the door is now open, but he is standing in the same spot. (00:45:20)

In Camelot - S5-E7
Continuity mistake: When Christopher is with J.T. in his kitchen, things on the fridge vanish and reappear between shots, depending on the camera angle.

In Camelot - S5-E7
Continuity mistake: When Tony is with Fran in her apartment, he's wearing an abstract pattern polo. Then they drive to the racetrack. At the racetrack, Tony's shirt is the same style, but the pattern is different. Then, when Tony is with Hesh, his polo reverts back to the original pattern.

Continuity mistake: Valentina is sitting and reading a magazine when Tony enters her hospital room. She places the magazine on her lap. Throughout the scene the magazine appears on her lap when the camera is on Tony and disappears when the camera is on Valentina. (00:18:57)
Answer: Yup, just like Nicholas Lea was chosen to play Alex Krycek on the X-files after showing up on 1 episode as a different character.
Grumpy Scot