Starring: John Laurie, Arthur Lowe, John Le Mesurier, Clive Dunn, Ian Lavender
Revealing mistake: When the knight moves back and forth during the clock mechanism's operation, as he swings his sword, a blue pullover sleeve is visible beneath his armour, revealing that he is an actor in costume and not an automaton.
Revealing mistake: The lights in the café are not working, despite the room being brightly-lit from above (i.e. the brightness cannot be attributed to sunlight entering through the window).
Audio problem: Jonesy is playing the organ. A pigeon 'flies' out the top of the organ and lands on the keys, so Jonesy picks it up and moves it, taking both his hands off the keys. Yet the music plays on.
Mainwaring: In the words of the great E.C Cochran. "Early to bed, early to rise, no jolly good if you don't advertise."
Trivia: The only member of the cast to have actually served in the Home Guard was John Laurie. Arthur Lowe, John Le Mesurier, Clive Dunn and Arnold Ridley were in the regular army.
Question: A set of complicated events mean that Captain Mainwaring and some other members of the platoon have to drive a railway engine. After they leave the railway station it turns out that the railway engine has no brake wheel and cannot stop. The ARP warden, the mayor of Walmington, the vicar and verger take the brake wheel, jump on a handcar and chase after the engine. Catching up with the engine, they throw the brake wheel to Captain Mainwaring. The engine then reverses, so they must pedal the handcar even faster to avoid being run over. Could four men (all obviously in late middle age, and past peak fitness) pedal a handcar to outrun a railway engine at full steam? When the engine reverses, why do they pedal the handcar to stop being run over? Why don't they jump off the handcar, then pull the handcar off the track? (Also it takes the engine less than a minute to reverse. In reality, it would take several minutes to change a moving railway locomotive from forward to reverse).
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Answer: The show is a comedy, this was played for comedic effect and to show that in times of extreme fear, in this case about to be crushed by a steam train, the men had an adrenaline surge strong enough to pedal fast enough.