Seinfeld

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Factual error: During the entire series, the view of Jerry's door from the hallway is of a flat wall with the door in line, yet from inside The Apartment, not only does the kitchen angle into the hallway, but Jerry's fridge is recessed into the wall. The wall behind it should be blocking the hallway completely.

The Finale (2) - S9-E24

Factual error: At several points during the case, the prosecutor introduces witnesses by saying "The state calls." Legally, Massachusetts is a Commonwealth, not a state, and that is how it is referred to in court. (See any episode of "Ally McBeal" or "The Practice.") However, even this would be incorrect here, as the episode makes it clear that the "Good Samaritan" law is a local Latham statute, not a Massachusetts law. In this case, "The people call." would be correct.

The Susie - S8-E15

Continuity mistake: Towards the end of the episode, it transitions between the Yankee ball at night and "Susie's" wake which is during the day.

The Pitch - S4-E3

Continuity mistake: In this episode, George asks Russell if his last name contains a "y" and Russel answers that it doesn't. However, Russel is credited in this and subsequent episodes as "Russell Dalrymple."

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Suggested correction: He was being curt with George and said "no" on purpose to drop the subject of how is last name is spelt. When George spelled his name, he was pretty close to spelling it correctly and Russell said"not even close", which we know isn't true.

Bishop73

The Dog - S3-E4

Continuity mistake: Shot shows a DC-10. Next shot is the inside of a plane that is not a DC-10. Only one aisle. DC-10s have two aisles. (00:00:35)

The Hot Tub - S7-E5

Deliberate mistake: When Elaine comes home and doesn't find Sean Paul there, she runs to her neighbour across The Apartment. The neighbour opens the door and stands outside it then the door slowly closes behind him. Suddenly, the door opens again with a swoosh without anyone being there. Because the camera switches angle right after this, it is apparent it was opened to gain this shot or to at least permit it continuity wise. (00:16:40 - 00:17:10)

The Junk Mail - S9-E5

Other mistake: In the scene where Jerry, George, and Elaine are in the coffee shop and Kramer walks in with the dummy mailman with the bucket over his head, Kramer remarks how nobody entered the post office while he was outside protesting. Jerry remarks, "That is because it is Sunday." If that is true, how can the group be gathered at the coffee shop? There is a red sign by the entrance of the coffee shop showing the business hours, and the coffee shop is supposedly closed on Sunday.

The Lip Reader - S5-E6

Continuity mistake: In the episode where Kramer becomes a ball-man, the episode ends with them at a tennis match. It shows a shot of the court, and no one is standing anywhere near the poles of the net. In the next shot, Kramer is crouched down next to the pole, ready to dive for the ball.

The Rye - S7-E11

Plot hole: When George and Jerry are discussing The Rye bread scheme, George says Susan is working late that night, so she won't be around when he sneaks The Rye into the house. But when George reels The Rye in with the fishing pole, Susan is standing there with her parents, wearing her coat. When did she get home? She couldn't have entered through the front door, because Jerry was there tossing The Rye up to George. And since it's a New York City brownstone, there's no backdoor that's accessible. There's no logical explanation for her getting into the house to see George reeling in The Rye.

The Truth - S3-E2

Continuity mistake: Jerry is waiting for George to come into his apartment and he says to Elaine and Kramer, "my oldest friend is dating the governor", and then folds his arms. In the next shot, as George comes in, Jerry is suddenly holding a glass of juice - there was no time for this change to happen naturally.

The Note - S3-E1

Continuity mistake: While Jerry is having his massage, The Masseuse walks around the table to reach his right side and we can then see two items of clothing, one blue and one grey, hanging on the clothes stand behind them. During the rest of the scene, we only ever see the grey item hanging there.

The Wink - S7-E4

Elaine: So you're saying that 95% of the population is undateable?
Jerry: UNDATEABLE!
Elaine: Then how are all these people getting together?
Jerry: Alcohol.

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Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

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