Seinfeld

The Robbery - S1-E2

Continuity mistake: During the initial conversation when the camera is on Elaine there's a chair prominently featured in the background, with a jacket on the back. The chair turns around between shots - in particular, when Jerry proudly proclaims himself "Master Packer" it is positioned at the desk instead of facing towards the camera. (00:01:10)

Sammo

The Robbery - S1-E2

Continuity mistake: George is chatting with Elaine as he is waiting for Jerry. Elaine splits an Oreo cookie. When he mentions her "price range", she is not seen fully but her left hand is in frame and she brings it up. When George turns around to address Jerry though, it's her right hand to be raised. (00:03:20)

Sammo

The Stakeout - S1-E1

Continuity mistake: Jerry and his mom are playing Scrabble; when she is picking the non-existent word, Jerry says that he's "nervous." Look at The Note between his hands. At the cut, the paper is in a different position and orientation. (00:17:45)

Sammo

The Stakeout - S1-E1

Continuity mistake: When Jerry is making the "Lo Mein" joke inside the video store, he is waving his hands around. The hands are out of frame; still his right hand pops in view twice showing he is holding a tape - but he is holding none before and after and he positioned himself away from the shelf. (00:01:35)

Sammo

The Robbery - S1-E2

Continuity mistake: George sits down at the diners' table with Jerry after his bathroom (and mirror) break. When Jerry asks him "So what are you getting?" he is holding the menu in a different way between front view and reverse. (00:18:40)

Sammo

The Stakeout - S1-E1

Continuity mistake: Jerry is playing with his mom; she handles him a note with Elaine's message. He says "I am such a jackass." His mom asks "She knows... what?" In that shot, Liz Sheridan 's hand is nowhere near her face, where it should be to match the shots before and after. (00:16:55)

Sammo

The Stakeout - S1-E1

Continuity mistake: Throughout the video store scene, a golden sticker keeps switching position on the adult tape Elaine is holding; The Switch can be noticed particularly easily when they talk about the wedding; Elaine repeats "A wedding?" and the box has no sticker, but few seconds later she laughs about the combover and the sticker is showing. (00:02:50)

Sammo

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The Puffy Shirt - S5-E2

Continuity mistake: When the man from the hand modeling agency is talking to George about Ray, he lifts up his right arm to make a claw with his hand, and as he does so he has his left arm holding up his right. After a cut, the man's left arm is suddenly hanging down, no longer supporting the other arm. (00:16:05)

Mechanic1c

The Little Jerry - S8-E11

Factual error: The grocery store that Kramer walks into with Little Jerry has a round doorknob. Those were phased out of public use in 1992 after the Americans with Disabilities Act took effect, but this episode takes place in 1997. (00:09:45)

Mechanic1c

Seinfeld mistake picture

The Money - S8-E12

Continuity mistake: The exterior of the video store in the episode looks different from the interior. From the inside, we see a neon "open" sign on the window and other writing, and also no exit sign on the door, all of which is contrary to the outside view of the store. (00:09:25)

Mechanic1c

Seinfeld mistake picture

The Fatigues - S8-E6

Continuity mistake: When Frank breaks open an egg in the close-up of the pan, we see there are more than half a dozen eggs in the carton. However, in a wideshot of the kitchen, the carton appears to have only about three eggs. (00:16:15)

Mechanic1c

The Wink - S7-E4

Elaine: So you're saying that 95% of the population is undateable?
Jerry: UNDATEABLE!
Elaine: Then how are all these people getting together?
Jerry: Alcohol.

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Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

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