Factual error: After the opening credits it cuts to Klinger at Mail Call, and Father Mulcahy's reading Ring Magazine which is dated December 1969, 16 years after the Korean War ended.
Super Grover
20th Nov 2015
M*A*S*H (1972)
20th Nov 2015
M*A*S*H (1972)
Visible crew/equipment: After Radar shows the box of bees to BJ and Hawkeye, when BJ gets in the jeep and drives off, just before the shot cuts away we can see the T-mark on the ground at Radar's feet.
18th Nov 2015
M*A*S*H (1972)
Revealing mistake: When Margaret whistles for the "third wave" she places Winchester's French horn on the ground, and there are three shots facing the jeep as it closes in on the horn - in the first two shots the horn's normal, but in the last shot the horn's already semi-squashed before the jeep even runs over it.
18th Nov 2015
M*A*S*H (1972)
Visible crew/equipment: While in the mess tent, after Margaret's grossed out by the smell and walks away we hear Charles start playing again, and when Colonel Potter says, "Just make sure the three of you work this out fast," in this shot we can see the actor's T-mark on the floor between Potter and Hawkeye, where Margaret stood a moment ago.
18th Nov 2015
M*A*S*H (1972)
Continuity mistake: After Radar leaves the message with Stevens for Hawkeye's friend on the Essex, it cuts to Klinger removing a nut from the jeep and he's holding the wrench with his thumb at the top, but next shot he's holding the wrench the opposite way.
15th Nov 2015
M*A*S*H (1972)
Dear Mildred - S4-E7
Continuity mistake: When Colonel Potter's in his office finishing up his letter to Mildred, right before Margaret, Frank, and the others walk in, the things on his desk change their positions between shots - such as the paper tray moving from Potter's left to the right side of his desk.
22nd Jan 2010
M*A*S*H (1972)
Dear Mildred - S4-E7
Visible crew/equipment: In the scene where BJ, Hawkeye, and Radar are in the motorcade talking about the horse, Radar is talking about how he doesn't want to give away the horse. He is standing in front of some barrels and when he moves, you can see some of the crew, the horse owner, and what looks like another horse in the background for 1 second.
15th Nov 2015
M*A*S*H (1972)
Dear Mildred - S4-E7
Continuity mistake: The injured horse that Radar, BJ, and Hawkeye go after, and who's later gifted to Colonel Potter, is played by different horses.
15th Nov 2015
M*A*S*H (1972)
Continuity mistake: During Henry's home movies of Molly's birthday party, Lorraine brings out the cake with candles and sets it on the table, but the cake differs between the shots - note the writing.
15th Nov 2015
M*A*S*H (1972)
The Trial of Henry Blake - S2-E8
Visible crew/equipment: After Henry's cleared of all charges, when Margaret drops the crumpled paper and storms out of the room with Frank, we can see chalk marks and a T-mark on the floor where Frank was standing.
15th Nov 2015
M*A*S*H (1972)
L.I.P. (Local Indigenous Personnel) - S2-E7
Continuity mistake: After Lieutenant Willis wakes up in the Swamp he gets dressed and puts his tie around his neck with its tail end on his right, but when it cuts to his closeup the tie's wide end is at his right side, then it switches again.
15th Nov 2015
M*A*S*H (1972)
L.I.P. (Local Indigenous Personnel) - S2-E7
Continuity mistake: When Lieutenant Willis wakes up in the Swamp and puts his shirt on he's wearing his dog tags, but when he tosses the papers and puts on the rest of his clothes the dog tags have suddenly vanished, then they reappear, vanish, and reappear again.
15th Nov 2015
M*A*S*H (1972)
Visible crew/equipment: When Klinger walks into Henry's office while Margaret and Frank are there, we can see the chalk T-mark on the floor behind Margaret where Radar was standing moments ago.
11th Nov 2015
M*A*S*H (1972)
Visible crew/equipment: In the opening scene where General Clayton is explaining the 4077 to the psychiatrist, the scene changes to the outdoor set and the camera pans to the right. As the camera pans past the hospital, a white 1970s era shuttle van can be seen driving into the set in the upper right corner of the screen. (00:01:35)
15th Nov 2015
M*A*S*H (1972)
Other mistake: When Henry gives Leslie the gift he says, "I sent to Tokyo for this... A Sato Tanaka double-cammed reel with jeweled escarpment," and we can see on different sides of the box there's green tape hiding its brand name, "Penn," though we can still make out the "Beachmaster 155" name.
15th Nov 2015
M*A*S*H (1972)
Continuity mistake: In the mess tent, when Frank asks Hawkeye why he makes his life so miserable in the OR, notice that in the wideshots there's a silver pitcher, napkin holder, etc. On the table between Trapper and Margaret who are facing each other, but in the shots facing Margaret and Frank, and also Trapper and Hawkeye all of those things vanish and then reappear.
15th Nov 2015
M*A*S*H (1972)
Continuity mistake: In the mess tent, after Radar uses the ketchup he puts the cap back on, but while Hawkeye and Trapper tease Radar about his hearty appetite, when it cuts to Radar's closeups the cap is off the ketchup, but then it's back on in the wideshot.
15th Nov 2015
M*A*S*H (1972)
Continuity mistake: Right after Radar tells Henry to forget about the game there's an explosion, and when Radar shouts, "More on the way!" everyone ducks and we see Henry's diploma up on the wall, but when it cuts to a different angle the diploma has vanished before the room even shakes or the heater's stovepipe falls.
15th Nov 2015
M*A*S*H (1972)
Other mistake: When Frank's with Margaret in her tent and she tells him that she thinks they should reevaluate their friendship, there's a Life Magazine lying on her bed which is dated over 15 years in the future - August 25, 1967, with "The other war in Vietnam" written on its cover.
15th Nov 2015
M*A*S*H (1972)
Love Story - S1-E14
Visible crew/equipment: After Radar tells Margaret that she's needed in the post-op ward Frank sneaks toward Margaret's tent, and when it cuts to Margaret walking into post-op, at the start of the shot we can see the two actors' curved chalk foot marks on the floor.
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