Visible crew/equipment: After Henry meets with Colonel Blanche, the Luxembourg Commander, it cuts to Hawkeye in the Swamp continuing his recording to his father, and when Trapper describes his recipe for the dry martini we can see the open edge of the tent set and a spotlight at the top left corner of the screen.
Super Grover
5th Jan 2016
M*A*S*H (1972)
5th Jan 2016
M*A*S*H (1972)
Continuity mistake: When Father Mulcahy's finishing up his Sunday service with only Klinger, who's wearing a fetching red hat, there are nine stacked books at the corner of the table, but when it cuts to Mulcahy's closeup there are now only six stacked books (which will soon be used for the 11:00 Protestant service when Trapper and Hawkeye will pray for booze).
5th Jan 2016
M*A*S*H (1972)
Visible crew/equipment: When Margaret's in her tent reading just as Hawkeye walks in to give her the physical, the chalk T-mark can be seen on the floor.
8th Sep 2005
M*A*S*H (1972)
Continuity mistake: After Iron Guts Kelly dies in Margaret's tent, Frank Burns visits Margaret, suspecting something. Frank asks why there is a general's star on her cot. In the ensuing 'back and forth' dialogue, Margaret's hair goes (in close ups) from nicely combed, to frazzled, back to nicely combed again (and in a different light).
2nd Jan 2016
M*A*S*H (1972)
Continuity mistake: When Hawkeye and Lt. Johnson are sharing Hawkeye's bottle of "wine" there's a closeup of Johnson's hand holding the glass, and in the closeup that hand has short nails, whereas in all other shots Johnson has long nails.
28th Dec 2015
M*A*S*H (1972)
Hot Lips and Empty Arms - S2-E14
Visible crew/equipment: When Margaret walks into Henry's office while Trapper, Henry, and Hawkeye are watching a "training film," the actor's chalk T-mark can be seen on the floor.
26th Nov 2015
M*A*S*H (1972)
Visible crew/equipment: When Klinger's at Little Chicago he asks one of the black market vendors about cameras and he points to another vendor, and when it cuts to the next shot we can see the actor's T-mark on the ground where the man walks away (his foot even moves the T-mark) and Klinger is about to stand.
26th Nov 2015
M*A*S*H (1972)
Visible crew/equipment: After Colonel Potter gets off the phone, he tells Klinger about Torgy Porgy and how after four years of medical school Torgy washed out, and just as Potter and Klinger stand up lighting equipment can be seen at the top right side of the screen.
26th Nov 2015
M*A*S*H (1972)
Visible crew/equipment: When the nurse tells BJ that they're having a problem with Rice using his sales pitch in post-op, just as the nurse and BJ start walking over to Rice we can see the curved chalk foot mark on the floor.
25th Nov 2015
M*A*S*H (1972)
Continuity mistake: While Charles, BJ, and Hawkeye are in the Officers' Club, when Margaret storms in and starts yelling at Charles about the visiting pervert Colonel, Charles facepalms himself with his right hand, but next shot his left hand is up, and it continues to switch.
25th Nov 2015
M*A*S*H (1972)
Factual error: When Klinger's walking with Captain Allen and the Stars and Stripes photographer, just before their introductions to "Ben" they pass an empty corrugated box with its flap open, and the recycling symbol can be seen on the flap. Recycling symbols were not in use until about 20 years later.
16th Jul 2006
M*A*S*H (1972)
Other mistake: When Alan Alda and Mike Farrell are walking into frame in the scene where Hawkeye and BJ discover the huge shipment of tongue depressors, Alda's feet are visible for about two seconds and he has bright blue early '80s shoes on.
25th Nov 2015
M*A*S*H (1972)
Continuity mistake: While BJ, Hawkeye, and Margaret are in the OR, BJ has the stethoscope either around his neck or the eartips are in his ears, depending on the angle of the consecutive shots.
21st Nov 2015
M*A*S*H (1972)
Visible crew/equipment: After Charles confronts Choi Sung Ho about the candy, Ho explains that he sold it on the black market to buy real food, and when Ho reenters the mess tent through the side door, we can see that outside there's a director's chair, which actors also use, with something printed on its back.
21st Nov 2015
M*A*S*H (1972)
Visible crew/equipment: When Colonel Potter and Charles exit the mess tent carrying the trays, so they can serve breakfast in bed to the winners, they split up and as Charles walks to the Swamp saying, "What a shame to have wasted all these years as a doctor," we have a great view of the boom and boom mic at the left side of the screen as it moves backwards away from Charles, outside the Swamp.
21st Nov 2015
M*A*S*H (1972)
Visible crew/equipment: When they're all in the OR talking about Aggie being at the 4077, Charles compares Colonel Potter's art style to Aggie's, and in the next shot as Potter tells the art critic to tread softly, the boom mic is visible at the top, right side of the screen and just as the mic starts to pull up the shot zooms in on Aggie.
21st Nov 2015
M*A*S*H (1972)
Visible crew/equipment: After Klinger gives the envelope with the forged discharge papers to the driver going to I Corps, just as he walks through the doorway we can see the two actors' tape marks on the ground, where the driver and Sidney were standing when they arrived.
20th Nov 2015
M*A*S*H (1972)
Continuity mistake: When Colonel Potter, BJ, Hawkeye, and Charles are in the changing room, Charles wants to be alone so he takes his tan jacket off the first nail on the right and leaves, but in BJ and Hawkeye's closeups the tan jacket is still hanging on that first nail, then it vanishes again.
20th Nov 2015
M*A*S*H (1972)
Communication Breakdown - S10-E6
Visible crew/equipment: While Colonel Potter and Margaret are with Charles, a nurse sees them and announces the presence of a newspaper, then when everyone gathers around Charles while he sets the reading rules, there's a man with blondish shoulder length hair and a beard, wearing a blue button down shirt and white pants who's standing in the background, partially hidden by the signpost.
20th Nov 2015
M*A*S*H (1972)
Visible crew/equipment: While Hawkeye's helping Klinger with the love letter to Laverne, just as Klinger says, "After all, you're only human, I was thousands of miles..." the boom mic dips into view at the top of the screen.
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