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Continuity mistake: One of the mutated Gremlins scratches Billy's hand and then grabs an apple. On the desk there is a fake brain. In between shots it goes from being on its side to sitting flat.

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Continuity mistake: The weather during the end chase changes three times. When they first leave it is full on sunny. When they arrive at the playground it is overcast. The next scene it's sunny again.

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Continuity mistake: On Austin's jumbo jet, he attempts to get frisky with Vanessa and it messes up her hair. In the next shot she sits down and her hair is no longer messy.

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My Dripping Sleep - S1-E3

Continuity mistake: Marty pulls his boat into a cove where a church sermon is happening. When we first see the sermon the sun is coming from the right. In the next scene the sun is behind Marty. It switches again when he pulls into the cove.

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Continuity mistake: The damage to the main protagonist's vehicle changes considerably during the race in the parking garage. See the right side for reference.

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Continuity mistake: It goes from night to day really quickly as Irene shows up.

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Continuity mistake: Early during the race at night on the mountain, the road goes from gravel to paved in a matter of one or two shots.

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Breaking and Entering - S4-E2

Continuity mistake: After Sucre and the driver of Stuart's car wreck, another car pulls up behind and starts honking. Cut to a shot from behind the cars and there is a whole line of cars waiting. They weren't there in the opposite angle.

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The Art of the Deal - S3-E13

Continuity mistake: The shadows and lighting change throughout the scene with T-bag giving the money to the prisoners. At one point he is in shadow, the next full sun.

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Dirt Nap - S3-E10

Continuity mistake: Lechero regains command of the prison and dumps the bodies of the two guys off the ledge. His face goes from being clean to full of sand to clean in three short shots. (00:36:20)

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Good Fences - S3-E4

Continuity mistake: The same aerial shot of the prison tower from the previous episode is shown again near the beginning of this episode. Take note of the vehicle driving to the right. Some time has passed between the previous episode and this one.

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Orientación - S3-E1

Continuity mistake: The way Gretchen holds her martini glass when first talking to Lincoln shifts during camera angle changes. (00:36:45)

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Ogygia - S1-E1

Continuity mistake: Schofield's son's eyes change position at the hospital when Linc talks to him. They go from looking outward to looking down in the space of one shot. That shot is a wide to a closer shot of the same scene with no time difference.

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Rendezvous - S2-E10

Continuity mistake: Near the beginning when the van is chasing the police car, watch the position of the van. It gets nearly alongside the cop car, only to jump behind it when the scene changes. (00:04:40)

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Continuity mistake: The amount of jewels in the person's hand change position, size, and shape in the span of two shots near the end of the film when everyone is looking at them.

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Flight - S1-E22

Continuity mistake: The blood mark the young inmate leaves on the concrete changes from the time its made until when its found. When its made it is just a small blotch. When Bellick finds it, it is a full on hand print. (00:10:30 - 00:14:25)

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And Then There Were 7 - S1-E11

Continuity mistake: Quinn falls into a well and you can see his cell phone sitting right next to him. A few minutes later he grabs it from his pocket as if it's been in there the whole time. (00:30:00 - 00:34:30)

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Continuity mistake: Late in the film, Clare becomes unpopular again and a girl throws a drink at her shirt. The stain the drink makes changes considerably when she is cleaning it in the bathroom mirror (it is darker and more messy). The stain then is back to what it was earlier after that (before we see her wish for her mother to be alive).

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Continuity mistake: Clare's pants split at her knee because she falls off her bike and she gets injured. When she returns home later to see her father, the pants have been fixed and there is no hole.

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Continuity mistake: Just before the end, when going through the rapids, Burt Reynolds' life jacket moves around between shots. It's higher and lower depending on the angle.

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