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Continuity mistake: In the outer office, as the secretary begins to sneeze, the fan is already on. Kermit then goes to turn on the fan to blew animal dander at her. Also, as they make noise, Kermit is heard talking, but his mouth doesn't move.

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Continuity mistake: As Kermit faces Hopper, there's a large black square behind Kermit, between Fozzie and Doctor Teeth that only appears in the long shot.

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Continuity mistake: When the duo stop at the church, the wording on the sign is either shaded or dingy. But a moment later when they go to get out of the car, the sign's lettering is clean and bright.

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Continuity mistake: As Kermit and Fozzie stop at the Frog Legs billboard, it's easy to see that it's out in the wide open. but when the "Myth, Myth" gag is used, there's suddenly trees directly behind it, where the lady pops out saying "Yes?"

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Continuity mistake: In the close ups of Kermit playing the banjo, his arm moves, and when in wide shot, only his hand moves over the strings.

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Continuity mistake: As Hopper asks Kermit about being rich and famous, he goes to stroke the back of Kermit's head. As the angle changes, Hopper's hand is under Kermit's chin.

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Continuity mistake: When Kermit and Fozzie meet Big Bird, their car stops about fifteen feet behind him, at the end of some dark tire tracks. But when the camera looks at the pair in the car, they're looking directly at their left, and Big Bird converses with them looking to his left in quarter profile to them. When they leave, their position is about ten feet back from the end of the marks, a good twenty feet from where they originally stopped.

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Continuity mistake: After Kermit is tossed over the crowd in the El Sleazo, he catches on a ceiling fan, and it swings a bit from the impact. After a shot of the bartender speeding up the fan, it is no longer swinging. This is impossible with any weight on one blade. When Kermit is slung off the fan, you can see the fan is not on at all, Kermit is at the piano, and just about everybody in the place is still looking at the fan.

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