Sacha

Continuity mistake: At the electronic store, when J arrives, the headphones on the counter keep changing position between shots. (00:31:35)

Sacha ★

Continuity mistake: When Jeffrey places the time-remote control on the counter it lays next to a notebook. In the close-up it's gone. (00:33:05)

Sacha ★

Continuity mistake: When J peeks out The Factory window the broken glass around the frame change amount and shape between shots. (01:01:25)

Sacha ★

Continuity mistake: At the 1960s HQs, K places his hand on a notebook. A shot later it has jumped next to a typewriter. (00:44:40)

Sacha ★

Continuity mistake: When young K starts questioning J, K's hands swap between crossed, loose, one on top of the other with no continuity whatsoever. (00:43:35)

Sacha ★

Other mistake: When J is falling from the Chrysler building, the soles of his CGI shoes are completely black, brand new and spotless, which is impossible unless he got up there flying or changed his shoes in mid-air. (00:36:00)

Sacha ★

Continuity mistake: When J drags Warhol backstage, the people they pass-by have no continuity between the front and back shots. Note the tall transvestite with bulky hair they bump into first, who, a shot later, appears several meters ahead. (00:55:45)

Sacha ★

Continuity mistake: When J puts a tray in the fish's mouth, it swaps from perfect to wrinkled between the first two shots in a time-frame. For the rest of the scene, there's no continuity between the shape it has in the wide angles and in the close-ups. (00:16:20)

Sacha ★

Continuity mistake: When K sees the dead Chinese manager pinned to the wall, the manager's facial expression and position of his head changes between shots in a mere half second. (00:15:45)

Sacha ★

Continuity mistake: When Jeff is talking to J on the Flatiron, he is looking at J except for a brief shot where strangely he is suddenly facing left without having turned his head. Then a frame later, from another shot, he is back facing J. (00:33:50)

Sacha ★

Other mistake: J exits the Flatiron building and a woman in a yellow dress starts walking behind him. He looks at the street ahead and the same woman is walking from right to left. (00:38:35)

Sacha ★

Continuity mistake: When the cops are frisking J, the small cop on the left's left hand keeps changing position in every shot, with no logic whatsoever. (00:41:00)

Sacha ★

Continuity mistake: When K suspends J, the small cup on the counter keeps changing positions and moving further away between shots. (00:19:40)

Sacha ★

Continuity mistake: When J exits the Flatiron building in 1960 a woman walks right behind him, then the shot cuts to his POV of a group of hippies, then back to the previous shot of J and the woman obviously continues her walk. She should've been several meters ahead already. (00:38:30)

Sacha ★

Continuity mistake: When J and K fall off the roof holding onto a door, they land opposite to each other. A frame later, from a different angle, they're laying next to each other. (00:17:55)

Sacha ★

Continuity mistake: When K takes the prize out of the Crackers box, the size of the box magically becomes very tiny. (01:07:55)

Sacha ★

Continuity mistake: When the Afro-American military man lays dead, his cap changes positions between shots. (01:33:10)

Sacha ★

Continuity mistake: When Griffin foresees the end of the baseball game his hands are on the J and K's backs, but a frame later he's grabbing their arms. (01:08:40)

Sacha ★

Continuity mistake: When J falls off the green car by The Factory, cardboard boxes, a woman and a sailor magically appear out of nowhere. (01:01:40)

Sacha ★

Continuity mistake: When J chases Boris in 1960s New York he exits The Factory and runs on the sidewalk past a black car and a lamppost. A frame later, the car is gone and he's running on the pavement, on the space left, to allow him to step on the green car. (01:01:30)

Sacha ★