The Phantom of the Opera
The Phantom of the Opera mistake picture

Continuity mistake: At the end when Meg steps out of the water, her pants are wet. However, when she enters the bedroom and finds the Phantom's mask, her pants are perfectly dry. (02:10:35)

Revealing mistake: As the grating descends on Raoul, in two shots, large bubbles are flowing downwards. It's obvious, the film was reversed. (01:59:15)

The Phantom of the Opera mistake picture

Deliberate mistake: As Christine approaches the Phantom in his lair (just after he has abducted her), we see that she is wearing very dark black eye-shadow. Back in the dressing room after coming off stage, as she talks to Raoul, we saw her face in close up and she was not wearing any eye-shadow at all, even though the Phantom leads her through the mirror just after she has managed to slip on a robe over her undergarments and she has not yet changed to go out to supper (Raoul says she is to be ready in 2 minutes). Her hair becomes 'bigger' and wilder, too. The change in her appearance is a reference to her descending (voluntarily, I might add - he didn't drag her through that mirror) into the Phantom's dark existence and to her sexual awakening. (00:28:45 - 00:37:10)

More mistakes in The Phantom of the Opera

Trivia: In one of the 1919 flashback scenes, Raoul looks out of the car window at a Swarovski jewelry store. The Swarovski crystal company made the chandelier for the film, valued at over $1.3 million.

Trivia: The candles that light instantly as they emerge from the water in the Phantom's Lair were not computer effects - special air-sensitive candles were used. Luckily, the scene was captured well in the first take, as when they tried to re-shoot the scene the candles wouldn't work again.

Trivia: Christine's attire during her performance of 'Think of Me' for Hannibal is copied from the most famous painting of Emperess Elisabeth of Austria, also known as Sissi.

Sereenie

More trivia for The Phantom of the Opera

The Phantom: Softly, deftly, music shall carress you. Hear it, feel it, Secretly possess you.

Christine Daae: Angel of Music, you've deceived me. I gave you my mind blindly.

More quotes from The Phantom of the Opera

Question: What does the Phantom eat and what does he spend his salary on? Presumably he can't just go to the shops etc with his mask on. If he doesn't leave the opera house where does he learn his skills like driving a carriage, who does he practice sword fighting with? Wouldn't his health suffer if he spends decades living in this damp cold rat infested place wading through lakes all the time? He even complains about it being cold himself at one point. Surely if it snowing outside his lair can't be warm but he's not wearing much.

Answer: First, it is established in the movie that he is dependant on Madame Giry and it is presumed she does his shopping for him. As for learning skills, it is established he is a genius and one can assume he is very well read. Additionally, for single handed skills, like driving a carriage, he can possibly go out at night to learn them. As for his living conditions, the human body adapts well to continuous conditions, it is how the people in Siberia can tolerate lower temperatures better than those who live close to the equator. Lastly, one can easily assume he has other (warmer) clothes that he wears off camera.

OneHappyHusky

There is a character simply known as 'the Persian' He has known the Phantom his whole life and would have taught him horse driving. In the book, the Phantom has a life before the opera house where he would have learned fencing and torture. Also, the phantom knows all the secret passages. When it's cold he leaves his lair and lives someplace warmer.

You're totally right but also, in addition to your mention of The Persian, in the book it is he that is the Phantom's only "friend" or whatever but in the movie there is no Persian exactly but the two Characters Madam Giry and The Persian from The Phantom of the Opera by Gaston L. Are both combined as one, to be know as Madame Giry in the 2004 flim.

debbi.ee

Question: During point of no return, the phantom has no disguise on. If everyone was after him, why didn't anyone stop the performance and capture the phantom?

Answer: During "Point of No Return, " the Phantom shares a stage with the very vulnerable Christine. He is still masked, though it is a mask other than his trademark white face covering. The Phantom is well known as a murderer and an escape artist. This is the the equivalent of a hostage situation. To rush the stage might risk lives, and everyone in the know is proceeding with caution. During the song, we do get glimpses of police moving about, and Raoul and others looking concerned, subtly signaling one another and considering their next move. The stage crew seems confused. The dancers go on with the show. And law enforcement officers await the right moment to advance. It also gives us the opportunity to enjoy a dramatic musical number that rushing the stage would interrupt.

Michael Albert

Question: Who is the old man in the wheelchair who puts the music box with the monkey on Christine's grave at the end?I thought it might be Raoul but the box belonged to the phantom and he hated the phantom.

Answer: It is Raoul. He gets the music box because Christine obviously loved it, shown by the fact that she had obviously described and remembered it in such great detail many years after last seeing it. He buys it for her as a gift of love, even though she has died.

mandy gasson

Answer: It's also a symbol that Raoul recognized Christine still loved the phantom. Possibly more than him. The love triangle is complete as neither man truly had her. Raoul spent his life with her but she loved the phantom. The phantom missed out on spending life with her but got her love.

Answer: It's Raoul. When the auctioneer sells him the music box, he addresses him by his title, The Vicomte de Chagny.

More questions & answers from The Phantom of the Opera

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