Hugo

Revealing mistake: When the kids see the moon picture on the book, an old, chubby hand lays on the page, obviously not the kids'. When the angle changes, their small thin hands re-appear.

Sacha

Revealing mistake: At the end of the first chase scene with Hugo, the Inspector and the doberman, Hugo escapes by climbing up and across a train trestle that goes over the tracks. In the overhead shot of Hugo going over the tracks, as he is walking, you can see a safety harness that is coming from his waist and to his left, attaching to a horizontal pole.

bonniebonita

Revealing mistake: When the automaton starts drawing, a thick black piece suddenly appears behind the tip of the pen, most likely some sort of mechanism, or a piece of lead to allow for the drawing to be made.

Sacha

Continuity mistake: After Frick brings the dog, while Hugo is looking at the inspector, the luggage porter walks behind Hugo twice.

Sacha

More mistakes in Hugo

Isabelle: This might be an adventure, and I've never had one before - outside of books, at least.

More quotes from Hugo

Trivia: Director Martin Scorsese cameos as Méliès' photographer when he opens his studio.

Sacha

More trivia for Hugo

Question: Why does the Station Inspector chase children who are on their own and threaten to send them to an Orphanage? Is that what it was like in the 1930s?

Luka Keats

Answer: He's not making it a point to chase down random children - he's like a security officer at an airport. It's his job to apprehend thieves and troublemakers and keep the station safe, and he only threatens to send children to the orphanage if they don't have parents for him to return them to. Also, it's implied once he finally apprehends Hugo that his particular harshness toward orphans (and most of his character flaws in general) is due to apparently having been one himself. He spells out the kinds of lessons he was forced to learn by growing up without a family, explaining how he became so cold, bitter, and antisocial.

Chosen answer: It is more than likely an early form of our modern day child protection. Just as today if children are found to be at risk, they can be and are taken away by social services and put into foster care. In the film, orphans may have been seen as a plague in an area that attracts posh looking people in stark contrast to urchins in rags eating out of bins. Most European orphanages/care homes/hospices/whatever you want to call them at that time were no better than anything depicted in Charles Dickens 50 years previously.

Neil Jones

More questions & answers from Hugo

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