Character mistake: The reporter speaking Spanish at the end of the movie spells the Spanish word for fire wrong. He says "inciendo" instead of the correct "incendio." (02:07:11)
Angels & Demons (2009)
1 mistake since 31 Oct '24, 18:59
Directed by: Ron Howard
Starring: Tom Hanks, Ewan McGregor, Stellan Skarsgard, Ayelet Zurer
Richter: You said they'd be killed publicly.
Robert Langdon: Yes, revenge. For La Purga.
Richter: La Purga?
Robert Langdon: Oh geez, you guys don't even read your own history do you? 1668, the church kidnapped four Illuminati scientists and branded each one of them on the chest with the symbol of the cross. To 'purge' them of their sins and they executed them, threw their bodies in the street as a warning to others to stop questioning church ruling on scientific matters. They radicalized them. The Purga created a darker, more violent Illuminati, one bent on... On retribution.
Trivia: Considering Dan Brown's works anti-Catholic blasphemies, the Catholic church would not allow Tom Hanks and director Ron Howard to shoot film scenes in two historic cathedrals in Italy's capital city: Santa Mariadel Popolo and Santa Maria della Vittoria. They were allowed to film external shots only.
Question: SPOILER ALERTS! Does anyone know why they changed the final symbol to the keys instead of the one in the book? Also why they left out that the Pope was Ewan McGregor's father?
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Chosen answer: In the book, the location of the antimatter bomb is only revealed after the Camerlengo pretends to have a "vision from God" on the steps of the Vatican. By changing the symbol to one that actually provides a clue to the location, it allows Langdon to work out where the bomb is, to actually play some part in proceedings rather than passively stand by until the villain just takes everybody there as part of his plan. As for the Pope being the Camerlengo's biological father, this is a fairly late revelation in the book and requires a substantial amount of exposition, which would only serve to abruptly slow the film to a crawl during the climax. The Camerlengo's motives, his hatred for the church's indulgence of science, are strong enough to explain his actions without the additional detail of his parentage being necessary, thus it could be safely left out to keep the film's momentum going.
Tailkinker ★