The Living Daylights

Continuity mistake: When Bond and the girl are escaping down the mountain on the cello case, he is steering it with the cello on his right side, but in the next close-up shot the cello is between them.

Dennis Gannon

Continuity mistake: When the woman is trying to drive the Jeep into the plane on the runway, in the close up shots there is a shiny steel ramp which we see the car wheels drive up. In the internal and longer shots, we can see that the door looks nothing like this and actually is a sort of lattice, and it has a ridge on it meaning it would be very difficult for the car to drive up.

David Mercier

Continuity mistake: Two paint-shots hit the windshield of the Jeep in the right side of the window, close to the steering wheel. In the next shots the paint marks are all over the windshield - and at one point there is a clear bullet mark in the left part of the window.

Jacob La Cour

Continuity mistake: In the opening scene before the credits, 3 MI6 agents parachute out of a plane and into a stronghold. The assassin is already in the stronghold. One agent lands in a sandy area and climbs up a cliff, one lands in a tree and is shot by a guard and the other lands somewhere else. In the next shot of one agent climbing the cliff at the top you can see the assassin hiding a parachute. He wouldn't need to hide a parachute as he didn't have one himself and no agents landed in this area.

Matty W

Factual error: Both in Czech and in Slovak, the forms of last names always mark gender (aside from some exceptions which aren't relevant here). 'Milovy' is not a possible last name for a Czech or Slovak woman because it is a male adjective. 'Milová' would be possible, though. This kind of mistake is very commonly made with Slavic names (e.g. Russian women whose last names end in '-sky' when they should end in '-skaya'). Also, her first name 'Kara' is virtually never used in the Czech Republic or Slovakia (let alone communist Czechoslovakia) and sounds very exotic to the people that live there. We can just assume she got an unusual first name for some reason which is entirely possible, but overall her full name sounds very silly to a native speaker.

Continuity mistake: When trying to catch up with the assassins jeep, Bond is shot by a paintball gun in the waist. A few shots later when on top of the jeep you can see his waist several times but without even a speck of paint.

Matty W

Continuity mistake: When the stenographer is taking Koskov's account of his escape, there is no paper in the tray and the stenographer isn't pressing the keys. Minutes later the agent/milkman enters and removes paper from the machine.

Character mistake: On the handwritten label Bond finds, Bratislava is written Bratislavia.

Revealing mistake: At the end of the movie after Necros falls from the plane the camera cuts back to Bond, as he tries to struggle his way out of the nest. If you look closely under the nest you can see Necros at the start of his fall again. Also notice Necros is replaced by a dummy.

Jeffy

Continuity mistake: When the plane crashes at the end all four engines are running at high speed, but before that all four engines had stopped because they ran out of fuel.

Continuity mistake: The hole in Cara's cello is different when seen in the first close up during the final concert, compared to the next two wider shots.

Jacob La Cour

Factual error: While Bond is taxiing down the runway at the Russian airbase, he is nowhere near takeoff speed for that aircraft (if he was, the Jeep wouldn't be able to catch up).

Continuity mistake: In the teaser, there is something wrong with the landing of the second agent. He lands on a dirt road and runs to his left behind some bushes while pulling his parachute towards the ground. To his right is a rock wall. In the next shot he lands again - presumably below that rock wall. But he was running in the opposite direction. If he changed direction and jumped over the wall to the right he would have run into his parachute. And it can't be a wall behind the bushes to the left he jumped over, because you can see from the shadows that the sun comes from the low side of the wall in both shots.

Jacob La Cour

Continuity mistake: When his plane runs out of fuel, Bond and Cara eject in the jeep. When the jeep ejects, the plane is just a couple meters off the ground. Cut to a shot of the plane crashing into a cliff, it's at least 10 to 20 meters up. Impossible for the plane to have gained altitude; the engines were off and no updraft of air would be strong enough to lift a plane that size.

BocaDavie

Continuity mistake: Bond is in the jailhouse and he imprisons the guard. He then smashes his arm with the iron door and makes him bleed. After that, he pushes the guard backwards on to the bed. While falling backwards, the blood on the arm disappears.

Sacha

Plot hole: When Bond uses the laser on his Aston Martin to cut the police car in half, the laser supposedly cut all the way through the length of the bottom part of the car. If that's true, the brake lines would have also been cut. The top half of the car slides off when the driver applies the brakes. If the laser cut clean enough for the top half to slide off, then the brake lines were indeed cut by the laser. How could the driver apply the brakes if the brake lines were cut?

Audio problem: At the fairground, James tells Cara that he has to check a message, but his mouth doesn't move when he says this.

Other mistake: On the frozen lake, Kara screams, "James!" but he did not mention his name.

The Living Daylights mistake picture

Continuity mistake: On the frozen lake, a cottage is blown to pieces, a wheel flies away, and many explosions take place, rising big clouds of black smoke. However, in the wide angle, the place is spotless.

Sacha

James Bond: There are a few things I'd like to check out first, sir. That sniper, for instance.
M: Yes. I've read Saunders report. You jeopardized the entire mission to avoid shooting a beautiful girl.
James Bond: Not exactly, sir. I took a split second decision. It was instinct.

More quotes from The Living Daylights

Trivia: In his regular cameo role, producer Michael G. Wilson appears in the audience at the Opera which Bond and Kara attend in Vienna. He can be seen sitting next-but-one to Saunders.

More trivia for The Living Daylights

Question: When Pushkin wakes up after Bond pretends to kill him at the press conference, he apologises to his wife/girlfriend for putting her through the trauma. But since she was in the bathroom when Bond was there interrogating Pushkin (about Koskov etc.), wouldn't she have heard Bond and Pushkin discussing the staged assassination (after Pushkin says "Then I must die")?

Heather Benton

Chosen answer: She could have been let go off screen once it was clear that Bond wasn't going to kill Pushkin, so they could formulate the plan in secret.

Captain Defenestrator

More questions & answers from The Living Daylights

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