Plot hole: Necros had absolutely no way of knowing that Bond and Saunders had arranged to meet at the café when they did and wouldn't have had anywhere near enough time to track them down and set up his elaborate booby trap. Saunders only suggested the meeting place and time a few hours earlier, and it was kept strictly between him and Bond. The scene in Tangier, where Whittaker tells Necros to kill another British agent, takes place on the same day Bond arrived in Vienna; meaning that Necros got from Tangier to Vienna (a 5-hour plus flight), tracked down Saunders, acquired the materials to booby trap the café doors (or had planned this ahead of time - unlikely), and set the trap up well in advance of him and Bond getting to the fairground. There was nowhere near enough time for all of that to happen without Necros having psychic knowledge of Saunders' movements.
The Living Daylights (1987)
Directed by: John Glen
Starring: Desmond Llewelyn, John Rhys-Davies, Timothy Dalton, Joe Don Baker, Jeroen Krabbe, Maryam d'Abo
Factual error: Austria is famous for its mountains and ski resorts, but certain parts of Austria are quite flat. And the border region between Bratislava and Vienna is VERY flat. No chance to cross the border over a mountain with a ski resort like shown in the movie, unless you take a 600km detour with three more border crossings.
Factual error: In the "Soviet" base in Afghanistan, every equipment, from armoured carriers to light tanks, is of French manufacture. And the transport plane is an American C-130 Hercules.
Trivia: In his regular cameo role, producer Michael G. Wilson appears in the audience at the Opera which Bond and Kara attend in Vienna. He can be seen sitting next-but-one to Saunders.
Trivia: After Bond returns to London (when he's completed his mission in Eastern Europe), there's an "establishing" shot of a London street scene. Look closely at the placards behind the newspaper vendor. One of the placards says "BLAZING JEEP AT 2,000 FEET" - a reference to the Jeep on fire and going over a cliff in the pre-title sequence, perhaps?
Trivia: The conductor of the orchestra at the end of the movie is James Bond music composer, John Barry. (02:00:36)
Vienna Hotel Concierge: Oh, Good afternoon Mr. Bond. You will need your usual suite?
James Bond: Not tonight, Heinz. Something with a second bedroom.
Vienna Hotel Concierge: Yes, sir. Shall I have some Vodka martinis sent up?
James Bond: Shaken, not stirred.
James Bond: There are a few things I'd like to check out first, sir. That sniper, for instance.
M: Yes. I've read Saunders report. You jeopardized the entire mission to avoid shooting a beautiful girl.
James Bond: Not exactly, sir. I took a split second decision. It was instinct.
James Bond: Lovely girl with the cello.
Saunders: Forget the ladies for once, Bond.
Question: When Pushkin wakes up after Bond pretends to kill him at the press conference, he apologises to his wife/girlfriend for putting her through the trauma. But since she was in the bathroom when Bond was there interrogating Pushkin (about Koskov etc.), wouldn't she have heard Bond and Pushkin discussing the staged assassination (after Pushkin says "Then I must die")?
Question: What exactly happened to Koskov at the end? Pushkin said something like "Put him on a Plane in a diplomatic bag" but was he just being sarcastic or what?
Chosen answer: He says, "Put him on the first plane to Moscow...", making Koskov think he was going to live, but then Pushkin adds, "...in a diplomatic bag." He is being transported back to Russia in a bag...hence, he will be quite dead.
Question: In the hotel scene where Timothy Dalton meets Pushkin, why does he rip the girl's dress off?
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Chosen answer: She could have been let go off screen once it was clear that Bond wasn't going to kill Pushkin, so they could formulate the plan in secret.
Captain Defenestrator