Crash

The movie consists of several stories that interweave during two days in Los Angeles involving a collection of inter-related characters, a black police detective with a drugged out mother and a thieving younger brother, two car thieves who are constantly theorizing on society and race, the distracted district attorney and his irritated and pampered wife, a racist veteran cop (caring for a sick father at home) who disgusts his more idealistic younger partner, a successful black Hollywood director and his wife who must deal with racist cop, a Persian-immigrant father who buys a gun to protect his shop, a Hispanic locksmith and his young daughter who is afraid of bullets, and more.

Visible crew/equipment: In the beginning of the scene where Sandra Bullock is lying in bed talking to her maid, you can see the shadow of the boom on the pillow. It is not there very long, the shadow moves out of the scene quickly, but long enough to notice.

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Jean: I am angry all the time... and I don't know why.

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Question: If Det. Graham had already identified his brother's body at the crime scene, why would it have been necessary for his mother to have to do so at the morgue, especially since it was very traumatic for her?

Macalou

Chosen answer: Since he was directly involved with the investigation, to identify the body would have been a conflict of interest. Therefore he had to notify the next of kin beyond himself.

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