Connie Baker: Do you swear not to repeat what you see or smell here tonight?
Katherine Watson: Smell?
Connie Baker: Yes, smell. Hands up.
Katherine Watson: I don't think I can go a year without a hot plate.
Betty Warren: Katherine Watson didn't come to Wellesley to fit in. She came because she wanted to make a difference.
Katherine Watson: You can confirm to what other people expect of you, or.
Betty Warren: I know. Be ourselves.
Staunton's Secretary: I was in California once. How do you get any work done with all that sunshine?
Katherine Watson: We tan in class.
Joan Brandwyn: You gave me a C.
Katherine Watson: I'm kind.
Joan Brandwyn: The assignment was to write about Bruegel. That's what I did.
Katherine Watson: No, what you did was copy Strauss.
Joan Brandwyn: I was referencing an expert.
Katherine Watson: If I wanted to know what he thought, I'd buy his book.
Katherine Watson: I can assure all of you this is the place I want to be more than anything.
Betty Warren: Miss Watson, can you help me get in touch with that friend of yours in Greenwich Village?
Mrs. Warren: Oh, what do you need in Greenwich Village?
Betty Warren: An apartment. I filed for a divorce this morning. And since we know I'm not welcome in your house. You remember Giselle Levy? What did you call her?"A New York Kike", that's it. Well, we're going to be room mates.
Katherine Watson: Look beyond the paint. Let us try to open our minds to a new idea.
Dr. Edward Staunton: I'm curious about the subject of your dissertation. You suggest 'Picasso will do for the twentieth century what Michael Angelo did for the renaissance"?
Katherine Watson: In terms of influencing movements.
Dr. Edward Staunton: So, these canvases they're turning out these days with paint dripped and splotched on them, they're as worthy of our attention as Michael Angelo's Sistine Chapel?
Katherine Watson: I'm not comparing them.
Katherine Watson: It's brilliant, really. A perfect ruse. A finishing school disguised as a college. Well, they got me.
Bill Dunbar: What do you expect?
Katherine Watson: More! I thought I was headed to a place that would turn out tomorrow's leaders, not their wives.
Chosen answer: There is a short discussion (I believe between Kirsten Dunst and Julia Roberts) about things not always being what they seem. They are speaking about the girls' lives, but it also is symbolic of the Mona Lisa smile. Whether she is really smiling is left up to the person viewing the portrait: is she smiling because she is happy? Is she trying to cover up grief/sorrow? Is she smiling at all?
Macalou