Deliberate mistake: After Ash's body is incinerated, the interior walls of the Nostromo appear more metallic and grey than they were before. According to Ridley Scott, this was done deliberately to make the alien's presence appear more menacing.
Alien (1979)
1 deliberate mistake - chronological order
Directed by: Ridley Scott
Starring: Sigourney Weaver, John Hurt, Ian Holm, Tom Skerritt, Harry Dean Stanton, Yaphet Kotto, Veronica Cartwright
Other mistake: When Ripley is trying to deactivate the self-destruct mode, the instructions she follows on the container are actually just the French interpretation of the instructions she read to activate self-destruct before.
Trivia: Ripley abruptly yelling at Parker to "Shut up!" is not in the script. Fans and industry gossip have long speculated that this was Sigourney Weaver breaking character in frustration and she was in fact telling Yaphet Kotto to "shut up" so she can finish her lines. The sequels 'Aliens' and 'Alien 3' both feature scenes where one of the normally cooler-headed protagonists suddenly snaps at a ranting character to "shut up!" in apparent reference to this moment. (01:16:50)
Question: A bit puzzled as to why Ash tried to kill Ripley by stuffing a rolled up magazine in her mouth when he could have strangled her in seconds.
Answer: This is just one possibility among many, but Ridley Scott suggested Ash may have been developing latent sexuality that he was not equipped to handle through his programming, and perhaps not physically either; his use of a rolled-up magazine may have come about because he was not constructed with a penis (I had to stop myself from making a pun about "hardware").
I always wondered about this. It always struck me as a little Freudian. Also, notice the picture of the topless lady on the wall - an interesting detail when combined with the phallic paper.
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Answer: I believe this was another subtle way for the film to depict that Ash was malfunctioning or at least not fully processing correctly and having problems. It was showing a brutal savagery to his motions as well as an artistic choice for the moment.
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