Continuity mistake: In the tunnels, Colin Farrell says "it's this way" and his earpiece is already in. As the angle changes, he's putting his earpiece in.
Plot hole: When the plane is trying to land on the bridge, it hardly makes it. How do they rotate it 90 degrees? The plane wouldn't fit.
Continuity mistake: At the end of the plane proficience test, we see Hondo leaning over the counter when he says "Wow, is that a new course record?" when the camera angle changes he is now standing up straight.
Continuity mistake: In the scene where the SWAT team encounters the Lear jet on the 6th Street bridge , the limo that the SWAT team commandeered has multiple bullet holes along the driver's side. The direction of all the firepower encountered by the limo was from directly in front (the 2 parked cars and the jet). I assume the sideshots came from the "airport security" blockade at the entry to the 6th Street bridge but were edited from the final film.
Continuity mistake: When Street tells his partner that he's staying with the team, his partner walks up to him and pushes him back into the mirror above the sink. You see Street taking a few steps away from the sink and standing straight up. The camera angle changes and you now see Street sitting on the edge of the sink.
Continuity mistake: When the team is shooting long distance poker Street can be seen lifting his head up twice after he loses as the camera angle changes.
Visible crew/equipment: In the scene after the team parties, when they are walking in the parking lot, just before Colin Farrell goes on the date. They are talking to each other and the camera pans towards LL Cool J (the camera pans to where the shadows are in front of the shot), you can see the shadow of the man holding the boom mike above his head, the boom, and a camera man holding a camera, all just to the left of LL Cool J on the ground.
Other mistake: After taking their "road trip" way out in the desert and dropping Montel off at the penitentiary at the end of the movie, they are just getting back on the road and Hondo says that they will respond to the "211 in progress" at the diamond mart back in L.A. The camera shot then makes a point to show that they are out in Joshua trees miles from anywhere.
Continuity mistake: When the team is at the restaurant celebrating, Street can be seen with a cup in his hand after he takes a drink and when the camera angle changes the cup is no longer in his hand.
Continuity mistake: When Street gets into the altercation with Boxer in the classroom, Wade's shirt is ripped open and you see the undershirt. When Sanchez comes in and the fight quells, Deacons' shirt is buttoned back up.
Continuity mistake: In the scene where TJ is taking off with Montel (Olivier Martinez) and Gamble handcuffs Street to the steering wheel, the passenger door is closed and Street (Colin Farrell) kicks out the window. When the rest of the squad arrives to assist, the door is wide open and the window intact.
Continuity mistake: When we see the guy checking the database for Alex Montel, he finds three different names and identities Montel uses. Each identity has a corresponding picture. The guy is searching under the name Claude Bezoul, and we see the picture on the screen that matched for Claude. But then on the printout, that picture is under the alias Alex Montel.
Continuity mistake: In the scene where the French bad guys kill the man in the restaurant, a pretty girl disappears. The girl is having dinner with the murdered man, then she is sitting at the bar while the victim and the French bad guy talk privately. When the French bad guy cuts the victim's throat the girl is suddenly gone from the bar. All the other associates in the room are still there, but the girl has vanished.
Deliberate mistake: A lot of the supposed handheld footage from bystanders on the scene couldn't have been filmed as such. People are on the ground, but the handheld footage is close to the action, as if the bystander is right there next to the action. This is a common mistake in a lot of movies.
Deliberate mistake: When the procession gets ambushed in the street by the guy with the automatic weapon, he shoots at the police cars. There are no drivers in the cars.
Plot hole: Alex Montel is arrested and then held because his identity cannot be confirmed. This is not a valid reason to hold him, unless he is a terror risk which is never mentioned and the FBI are not involved. His expensive lawyer should have got him out on a bond with no issue at all.
Suggested correction: I absolutely HATE defending the way TV depicts legal processes, BUT in this case I have to agree he could be held pending verification of identity. The reason is that he was arrested, not merely questioned, and the bond judge would insist on knowing his identity before setting bond. The only other way he might get out is if the arrest was bogus and the lawyer could convince a states' attorney or an arraignment judge of that. (Sorry, I didn't review this episode, and I don't remember the arrest!).
He is stopped for a traffic violation and then arrested for that. They don't even know he murdered his uncle, and yet he is held in custody. Even if the judge insists, there would be a bond payable and Montel would pay it and escape.
Continuity mistake: When Montell is pulled over in his dead uncle's car, the camera cuts to the 2 motorcycle officers attempting to stop him, you see both motorcycles have their headlights on as well as emergency lights. When it goes back to Montell looking in the rear-view mirror at them, you see one of the motorcycles headlights is now off and the strobe patterns have changed as well.
Visible crew/equipment: When Olivier Martinez exits the airport, the shadow of the camera is seen on his jacket (VHS version).
Continuity mistake: When Gamble and TJ exit from the sewer, a member of the gang puts the lock on the gate between the bars on the door and the gate at an angle. When Street and Hondo arrive and try to shoot the lock off, it's on the latch holes and the lock is straight.
Continuity mistake: When Montel tells the journalists about his money offer to whoever gets him out, the journalists are filming him through a wire fence. However, when the footage is shown on TV, it is a clear shot of Montel's face and there is no sign of the fence between him and the cameras.
