Continuity mistake: Aboard the Pearl (before Elizabeth's blood ritual), in the exterior shot Elizabeth peers out the window which slants away from her right side - making it the right window of the port side, as she faces it. However, in the next interior shot she actually sits in front of the port side's left window, which slants away from her left side.
Continuity mistake: On the docks, when Norrington exposes Jack's scar and tattoo on his right arm, he says, "Well, well, Jack Sparrow, isn't it?" and in the wide shot Murtogg holds the middle part of his gun. In the close-up when Murtogg says, "He said he'd come to commandeer one," he holds it near the bayonet, yet in the next wide shot he holds it in the middle again. (00:17:40)
Continuity mistake: When Jack and Will are dueling in the blacksmith shop on the cart, Jack falls onto the ground. Then we get a close up of him shaking his face, watch the bone in his hair, it's bent. Then he stands up again and the bone is straight. (00:25:40)
Continuity mistake: When Jack arrives at Port Royal, he stands in the sinking boat, trying to bail out the knee-deep water. When he steps onto the dock, he is completely dry.
Continuity mistake: In Governor Swann's home the maid runs past the dead servant and out through the front door, the camera begins to pan the interior and we see the foyer. There's a chair, a table and to the right is the overturned chair and the table is right next to the legs of the overturned chair. Then as Elizabeth, Pintel and Ragetti watch the cannonball crashing through the front window, the table is now much further away from the overturned chair. No one touched the table or chair. (00:33:00)
Continuity mistake: When Will first sees the hammer it's lying on top of the anvil almost parallel with it. Right before Jack says, "You know what you're doing, I'll give you that," as Will sticks his sword towards Jack's legs, the hammer's seen to Jack's right, perpendicular to the anvil. In the next shot, when Jack actually says those words, the hammer's lying parallel to the anvil again. Jack says, "If I step here," and the hammer's perpendicular to the anvil again. Then in the next few shots, once again the hammer's parallel to the anvil. Even in the 'parallel' shots, the hammer's lying a bit differently. (00:22:25)
Continuity mistake: At Jack's hanging, when Elizabeth "faints" her hat's wide white ribbon hangs down both sides - joined at the back of her neck. When she lifts her head, to witness Jack's rescue in progress, the ribbon is now gone from the right side of her hat and hangs loose at her left shoulder. However, when she looks over at her father, the ribbon is intact once again. (02:06:15)
Continuity mistake: In Port Royal, as Jack passes the dock master, he says "Hold up there you. It's a shilling to tie up your boat at the dock." In the wide shot, a man carrying bananas on his left shoulder, (the one with white pants, white shirt, vest and hat) is passing behind Jack. Then, there's a close-up of Jack and a shot of the Jolly Mon. When the dock master says "And I shall need to know your name," in Jack's close-up, that same man starts to pass behind Jack, but by that time, he should be at the gangplank already, and the bananas are now on his right shoulder. This has nothing to do with the angle of the camera. (00:10:10)
Continuity mistake: As Will duels with the hangman he knocks Will's sword out of his hand. In that shot, Will is standing in front of Jack near the lever and the camera pans down as the sword hits the floor. Will doesn't move and in the next shot, Will is now standing to Jack's immediate left near the rope. This was either cut from a longer shot or set up in the second shot deliberately. This has nothing to do with the angle of the camera. (02:06:50)
Continuity mistake: On the dock, after the rescue, Jack sees the medallion on Elizabeth's neck. In the next shot as Norrington and his men come, we see that Jack's coat, hat, and other effects are lying scattered around on the ground. Yet later, when Mullroy bends down, he quickly picks up Jack's things to show to Norrington, and the gun, compass and sword are neatly placed on Jack's hat. (00:16:50)
Continuity mistake: When Barbossa and Jack are chatting in the captain's cabin aboard the Black Pearl after Elizabeth's blood failed to lift the curse, Jack's eyes are lacking their trademark kohl lining. In the following continuous scene, however, as they rush on deck to see the Interceptor, the kohl is in place, although Jack didn't pause to apply it. [Apparantly, it was the first day of shooting, and after Depp's meeting with studio heads, Depp was forced into making Jack look cleaner and to remove Jack's kohl trademark, during those shots. As heard on the commentary.] (01:19:40)
Continuity mistake: During Jack's escape, as he's swinging about, in the background of this shot, the Dauntless is not seen moored, as it was in all the previous shots of Jack's opening scene, including being seen past Interceptor, from the angle of the running British Royal Navy. (00:19:55)
Continuity mistake: After Will rescues Jack from the noose, they soon run up steps with the rope in their hands. At the top of the steps they encounter the two soldiers and proceed to trap both soldiers around the stone column. Just as the rope goes around them, one soldier loses his hat, yet when the rope is pulled behind the column by Will and Jack, he has it on and then loses it again. (02:07:15)
Continuity mistake: When Jack holds the chain to Elizabeth's neck, when he flees, while he is flying through the air, when he throws the chain over the rope, as he slides down and then runs away, the shackles go from being over the sleeves to being on his bare wrists with his sleeves pulled up, then back over the sleeves again repeatedly. Then when Jack approaches drunk Mr. Brown, the shackle is on his bare wrist as seen from the front of Jack, but in the shot from his side, the shackle is over the sleeve. This continues throughout this entire scene; Jack's left sleeve goes from under the shackle to rolled up to his elbow then back under the shackle. (00:21:15 - 00:24:35)
Continuity mistake: When the sinking Jolly Mon 'sails' towards the dock, the straw basket which sits on the dock changes positions in the following shots, as does the rope lying on the side of the dock. When the dock master says, "It's a shilling to tie...dock," they look at what's left of the boat. The flag is hanging straight down, not blowing, but after Jack says, "And we forget the name," the flag is now wrapped around the mast. The following is only visible on VHS: there is one large barrel directly in front of Jack, but when the shot faces the Jolly Mon, there are two - a small one appears, which has a paint splattered top. (00:10:00)
Continuity mistake: Elizabeth's maid runs out the front door and the camera pans inside. Elizabeth is seen running past the set of three large windows on the landing, as she continues towards the last flight of stairs closer to the main floor. In the next close-up though, it shows Elizabeth followed by Pintel running down the stairs that are closer to the second floor which we see behind Pintel. Additional reference can also be seen when Elizabeth initially runs upstairs away from Pintel and Ragetti. (00:33:00)
Continuity mistake: Interceptor is side by side with Dauntless, in order to capture Jack and Will. Norrington boards Dauntless with three other men following him and in that close-up ON deck, Norrington says, "Search every cabin, every hull, down to the bilges." Yet, in the next shot, Norrington and those three men are actually seen just climbing up the gangplank to Dauntless. (00:46:55)
Continuity mistake: After Will rescues Elizabeth and brings her aboard the Interceptor, in the first shot from behind Elizabeth, Anamaria isn't holding her hat and the pirate behind Mr. Cotton is holding the tail of the parrot to keep it still. In the next couple of shots from the side, Anamaria is holding her hat because it's so windy. Just before Mr. Gibbs says, "Keep to the code," the close-up on Anamaria shows her hands down again, with no wind. In the next wide shot, Anamaria is holding her hat again due to the wind. (01:16:00)
Continuity mistake: When Jack and Will are walking under water carrying the boat over their heads, Will steps into a wooden trap with a buoy line attached. The trap is made of wood sticks and in each of these shots the style of the wood sticks is different. In the first shot, Will's foot goes through the top, and is at one side of the rectangle trap and the buoy line is at the other side of the trap. In the next shot, Will looks down into the water at the wooden trap, his foot is in the center of a square wooden trap and the buoy line isn't seen in this shot. In the next wide shot, he's dragging the trap as he's walking under water, and his foot is at the same side as the attached buoy line, which is seen in this shot, on a rectangle trap. The trap is then tied to Dauntless' rudder, and again this trap is styled differently than the trap in the previous shots. This has nothing to do with the angle of the camera. (00:45:25)
Continuity mistake: When Will and Jack are in the cave, Will goes to hit Jack with an oar, but in the previous shot we can see Jack look at Will and slightly move his body, then in the following shot he is completely facing Will ready for the hit. (01:09:00)
Answer: On Disc 3, Johnny explains, "Take something as solid as Keith Richards and combine it with Pepé Le Pew... I felt... he would resemble a modern day Rastafarian..." Pepé Le Pew is a Looney Tunes cartoon character, based on Charles Boyer's romantic character, Pepé Le Moko. Pepé Le Pew, however, is a romantic amorous cartoon skunk and he has a huge flaw - his 'odor', which he emits in a grand way.
Super Grover ★