Identity

Identity (2003)

33 mistakes

(10 votes)

Continuity mistake: When Paris is talking to the innkeeper about the orange grove she is buying in Florida, the strap of her purse keeps changing places. Sometimes it is lying over her coat and other times her coat is more open and it is lying across her tee shirt. It goes back and forth throughout the scene. (01:00:35)

Continuity mistake: When Ed the hotel manager and Rhodes discover the actress' body, they go rushing to room 10. When Rhodes enters the bathroom where he left the convict, Ed is standing behind him with his right arm by his side, yet in the following shot from the window, he now has his right hand on the bathroom doorframe. (00:31:25)

The-Immortal

Revealing mistake: When John Cusack is coming out of the motel grounds looking for Jake Busey, the gate is banging away furiously from the wind but the rain is coming straight down. The rain should be sideways if the gate is banging so much from the wind.

Audio problem: When Ed picks up the hooker and they are driving and talking it is a pretty quiet conversation considering that Ed busted out one of the windows to get Rebecca DeMourney's cell phone away from her. There should be some noise from the wind in the broken window. (00:09:50 - 00:12:30)

EMTurbo

Continuity mistake: When Ed is shot he falls to the ground and his jacket is open exposing the 2 gun shot wounds but when Paris runs over to him his jacket is closed and she has to open it to see his wounds. (01:20:20)

Factual error: The Spanish phrase, "¿Cuál es la punta de vivir?" keeps getting repeated throughout the movie, translated as "what is the point of living?" It's supposedly uttered by a Spanish-speaking person. Guess that person spoke Google Translate; the word "punta" means "point," all right, but it means a geographic point (like "Oyster Point"). The actual phrase in Spanish would be, "¿Cuál es la razón para la vida?"

Character mistake: There's no way that using a regular needle and thread to sew up that wound would work the way it's shown. Anybody who knew what they were doing - which John Cusack is portrayed as knowing - would also know that using unsterilized materials and instruments without a sterile field from an uncleaned massive open wound is a great way to kill your patient.

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: The main plot of this film takes place inside the head of a murderer with dissociative identity disorder. The fact that stitching up a wound in that matter wouldn't work is irrelevant to the fact that it is how Malcolm is playing out the scenario in his head.

Phaneron

You're making a good point to invalidate a "character mistake", but couldn't the entry be reclassified as a "factual mistake" and stand as written?

KeyZOid

I would say no, as it is still assigning a mistake to something that is happening in someone's imagination. Unless Jon disagrees, I don't think those types of factual errors in this instance count as movie mistakes.

Phaneron

If it was all being imagined, I'd have to agree.

KeyZOid

Continuity mistake: When the man bursts into the motel, Larry is watching Wheel of Fortune. The words on the screen change between when we see the screen and when the man bursts in. However it's the same game on the TV. (00:04:20)

Ssiscool

Continuity mistake: Right before Ginny leaves the bathroom to find her husband dead, the knob on the lock is down. In the closeup, the knob is horizontal. (00:40:55)

Continuity mistake: When Ed is talking to the husband of the woman he just hit with his limo, as he looks to his left to see a boy, his right hand is not on the husband's shoulder, yet in the next shot it is. (00:09:00)

The-Immortal

Continuity mistake: When Paris waves down Ed in his car she is seen about 5 feet in front of her car but when the scene changes to Ed's perspective she is now seen standing even with the hood of her car. (00:12:00)

Rhodes: All right. You want a plan? Everybody want a plan? Here's the plan, okay? No one's gonna move. We're gonna stay here, like this, in this room until dawn. No one leaves, no-one moves. [Aims at Larry] And if he tries anything I'm gonna shoot him! And if there's something out there and it comes in here, I'm gonna shoot it! And if anyone of us tries anything, I'm gonna shoot 'em!
Ed: We get it!
Rhodes: Good.

More quotes from Identity

Trivia: The scene directly before the first victim, "the movie star", is killed she is talking to herself in the mirror. You can see her reflection and the reflection of the window behind her. If you pay close attention you can see that there is a silhouette in the curtains. Eventually the lightning flashes and you can see the face of the little boy in the silhouette looking into the window at her.

More trivia for Identity

Question: When the prisoner is running away from the motel to escape, how does he end up back at the motel again?

Answer: The motel isn't real, and neither are any of the characters in its proximity. They are all aspects of Malcolm's personalities that are being killed off one by one in order to make sure his true murderous personality is vanquished. As such, the session by which Malcolm is being forced to do all this is designed so that all the personalities are stuck within the same place with no chance of leaving, which explains the bad storm, the road obstruction, etc.

Phaneron

More questions & answers from Identity

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