Minority Report

Other mistake: Leo Crow grabs Anderton's gun and they each fight for control of it. Crow succeeds in forcing Anderton's hand to pull the trigger, killing Crow. The problem is, right after the gun is fired, we see a shot of Anderton with his arm fully extended and with his entire hand holding the entire gun, as if he had aimed and fired the gun himself. Such a sequence of events is at least totally illogical if not physically impossible. (01:44:10)

Matty Blast

Minority Report mistake picture

Other mistake: The name on the red ball at the beginning has the name 'Donald Dubin' on it. But in the end credits, it is spelled 'Donald Doobin'. (00:02:10 - 02:17:40)

Other mistake: When Anderton and the pre-cops are gearing up to prevent the Howard Marks murder, there is a shot of Anderton loading his gun. If you watch closely you can see he places a clip under the gun but doesn't actually put it in, he just sort of mimes inserting it. (00:08:55)

Other mistake: When Witwer is killed, he actually reacts to the impact on his head before the shot is heard. We are standing mere feet from the incident, so no 'speed of sound' delay applies. It's an obvious sound error during editing.

Other mistake: When Witwer tells Fletcher that Andertons already won and that Agatha is part of his future right after Anderton kidnaps Agatha. Fletcher should have already known that from the precious scene when Witwer told him that Agatha is the woman in the room with Anderton. (01:27:47)

DBase

Other mistake: At the beginning of the movie, we learn that the precogs "do not see what you intend to do, only what you will do" and that they cannot see suicides. At the end, Burgess intends to kill Anderton but does not go through with it; he commits suicide instead. Given these two facts, the precogs should not have seen Burgess' confrontation with Anderton at the end, and a red ball should not have been created.

Matty Blast

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: Burgess intention was in fact to kill Anderton, but the knowledge of the precogs predicting his murder attempt, the conflict inside his conscious, and the sound of the arriving helicopters made him change his mind at the last second, just like Anderton did in the apartment. The point is they have a choice, and having knowledge of that, only that, changes the future and makes it different from the visions.

lionhead

Continuity mistake: In the beginning, when Anderton arrests the jealous husband, he notes that he is being arrested on April 22 - that day - for the future murder of his wife and her lover. Later, while Anderton is jogging, we see billboards advocating a "Yes" vote on pre-crime on April 22. The next day, Anderton's boss Lamar notes that the vote is in a week, which would make it April 15, making the day that the jealous husband was arrested April 14, not April 22. (00:13:05 - 00:15:15)

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Dr. Iris Hineman: Sometimes, in order to see the light, you have to risk the dark.

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Trivia: On the "subway" train, the man holding the USA Today paper is Cameron Crowe, and the woman in the seat behind him on his left is Cameron Diaz. Because "Vanilla Sky" and "Minority Report" were so close in shooting, the two directors (Crowe and Spielberg) agreed to put themselves as cameos in each other's films. (00:46:10)

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Question: Why all the build up of John having sent the Russian eye-surgeon guy to jail, suggesting that he will hurt John; only to have him successfully complete the operation, and take care of John afterwards?

Nick N.

Answer: Because subverting the expectations of the viewer makes it more interesting. The audience (and potentially John) are set-up to expect bad things, which don't happen. Once the "bad thing" happened, the suspense would be gone and everyone could relax. Expecting something bad but knowing when it might happen maintains the tension.

Chosen answer: It's what's known as a McGuffin; a plot element that seems to be important when introduced, but serves no purpose other than to intrigue/distract the audience. The term was popularised by Alfred Hitchcock.

J I Cohen

That's not *quite* what a MacGuffin is. A MacGuffin not only seems important, it *is* important; in fact, one of its two diagnostic characteristics is that a MacGuffin is something around which the entire plot revolves. The other property fundamental to what makes something a MacGuffin is the fact that the origin, purpose, function, and, in some cases, even identity of the object is left either vague or completely undefined. The briefcase in Pulp Fiction is a classic example (although there *is* a compelling argument that the object in the briefcase is in fact a specific artifact).

Well, according to the doctor when the operation is beginning, the doctor reveals that in prison, he spent all of his time in the library, including books on medicine and technology. As a result, he found his "true calling", and is thankful to John for helping him see that.

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