Minority Report

Continuity mistake: As Witwer tells Laura about John's apartment being full of drugs, she's sitting straight up with her hands at her sides, but in the next shot she has her legs crossed and her arm on the top of the painting. (01:10:20)

Piemanmoo

Continuity mistake: After John has had his eyes changed and the cops send the spiders into the rooms, there is a shot of John kneeling down. Behind him, the fridge is open, yet a few shots later he crawls past the kitchen and the fridge is then closed. (01:15:00 - 01:16:20)

The-Immortal

Minority Report mistake picture

Continuity mistake: Anderton's wristwatch is an Omega Speedmaster X-33, but it shows a Bvlgari display when he looks at it for the countdown to the murder he is to commit. When he's not looking at it, the watch can be seen with its original Omega face. One example of this is in the tub scene where one of the spyders is peeling off Anderton's eye bandage. The watch shows its Omega display (white hands on an LCD digital background). Omega's developer of the X-33 told me that this was a major legal battle for them. (01:18:30 - 01:34:50)

Minority Report mistake picture

Continuity mistake: Anderton is driving Agatha aka the Pre Cog in his car after kidnapping her from the Temple. She is complaining that she is cold so he takes off his jacket and puts it on her shoulder and body. The next shot is from outside the window looking at her and the jacket is down on her arm. The next shot is back to Anderton and the jacket is on her shoulder again. In the final shot of the Precog, the jacket is on her shoulder. (01:24:20)

Minority Report mistake picture

Continuity mistake: When Anderton visits his friend to get help to download data from Agatha, he is wearing tan-colored pants. Later on, when they are running again, he is suddenly wearing blue pants. (01:33:15)

Continuity mistake: When the pre crime cops are looking for John in the mall, there are 7 of them on the upper balcony, the leader tells two of them to "take the east end," and you see two of them run off to the left, yet in the following shot all seven of them are running to the right. (01:33:15)

The-Immortal

Continuity mistake: When John and Agatha are in Leo Crow's room, John finds the single photo of Sean and as he looks at it we see the back of the photo and the outline of the boy's image. John then finds the multiple photo-strip of Sean with Leo and holds it in front of him, but as he says, "I am going to kill this man," John is actually holding the single photo - note the outline of only Sean's image on the back of the photo. Next shot he's holding the multiple photo-strip again. (01:42:45)

Super Grover

Minority Report mistake picture

Continuity mistake: In the scene where Danny Witwer and Burgess are going over something that wasn't seen before, Danny's tie is loosely undone, but in the next shot it's perfectly done up. (01:54:50)

Continuity mistake: At the end of the film when John's wife is talking to Lamarr he says "I haven't worn this in years" and turns around, in the following shot he turns around again. (01:57:15)

The-Immortal

Continuity mistake: When Agatha is in Lara's bedroom, she talks about John and Lara's son Shawn. When John is sitting on the floor in the bedroom you can see his eyes have changed colors. First they are brown from the eye transplant, but the next shot of his head you can see his eye color is his real color. (02:00:00)

Continuity mistake: When Anderton is finally caught at Lara's place, we see a shot (from behind Anderton) of the precop resting the top of the halo on the back of Anderton's head. In the next shot, the halo is rested onto his head again. (02:02:00)

Matty Blast

Continuity mistake: Lara, wife of John, seemingly has the ability to teleport. She goes from the building where the conference is being held, to the Pre-Crime building to jail break John, and then is back at the conference in the next scene. The time to go from the conference, as the antagonist is about to start his speech, to the pre-crime building, and back to the conference as his speech is ending, seems to break the continuity of time. (02:06:21)

Continuity mistake: In the final scene of the movie, as the camera pulls back from the cabin where the three pre-cogs were taken after leaving the Temple, there is a tractor to the left of the cabin. Between the tractor and the cabin is a small bush that is moving like it is being blown by a strong wind. However, the smoke coming from the cabin is more or less rising straight up into the air. In fact, it is drifting a little to the right while the bush is being blown to the left by the helicopter which has the camera. (02:18:25)

Video

Continuity mistake: When Anderton first starts getting chased, he kicks the glass out of the back side of the automated car. He then proceeds to climb on the top of it at which point the car then goes over a cliff leaving Anderton hanging from it. He then climbs onto the back side of the car (as this is not the top) and the glass is present again.

Continuity mistake: During the jet pack escape scene, we see Anderton scaling the side of a building followed by a group of precrime officers who fly up to catch him. When Anderton jumps and catches the officer directly below him, we cut a shot of the pair falling directly towards the camera. If you look to either side of them, you'll notice that all the other officers - including the one hanging from the rail without a jet-pack - have disappeared.

Continuity mistake: When the cheated husband says "I forgot my glasses", the lover is on top of the wife, and tries to sneak by bouncing way up and then turning to his left. The jump is cut and the angle changes to a close up of the lover, but this time he is right next to the wife, as if he had just moved aside. No bounce. You'll need to freeze the image to notice it.

Sacha

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: If you have to freeze frame, or use slo-mo, to see a mistake, it's not a valid entry.

Bishop73

Continuity mistake: During the Howard Marks previsions, Anderton notices that the two images of the kid and the man show the kid on different sides. At first, he rotates his hand counter-clockwise (from his point-of-view) to see the image where the kid is on his right, and clockwise to the one where the kid is on the left. The camera cuts away, then cuts back; now the opposite is true (clockwise = kid is on the right, counter-clockwise = kid on left).

Matty Blast

Continuity mistake: In the scene where Anderton is in flashback to the day he lost his son at the pool, the same woman (of "ample build") walks past him in a pink-ish bikini at least twice.

Continuity mistake: During the film we see huge highways far above the ground and skyscrapers so tall they have major roads running down them -- all in Washington, DC. But at the end of the film we see a night-time panorama of Washington, and the only tall structure is the Washington Monument.

Factual error: The time period of the movie is 2054. There is an election day (April 22nd) that is on a billboard and then announced as a Tuesday. However, April 22nd, 2054 is actually on a Wednesday.

More mistakes in Minority Report

Officer Fletcher: John, don't run.
John Anderton: You don't have to chase me.
Officer Fletcher: You don't have to run.
John Anderton: Everybody runs, Fletch.

More quotes from Minority Report

Trivia: The flames in the fire at the end of the film when the camera pans out of the cottage are in the shape of AI, Speilberg's previous film!

More trivia for Minority Report

Question: Why all the build up of John having sent the Russian eye-surgeon guy to jail, suggesting that he will hurt John; only to have him successfully complete the operation, and take care of John afterwards?

Nick N.

Answer: Because subverting the expectations of the viewer makes it more interesting. The audience (and potentially John) are set-up to expect bad things, which don't happen. Once the "bad thing" happened, the suspense would be gone and everyone could relax. Expecting something bad but knowing when it might happen maintains the tension.

Chosen answer: It's what's known as a McGuffin; a plot element that seems to be important when introduced, but serves no purpose other than to intrigue/distract the audience. The term was popularised by Alfred Hitchcock.

J I Cohen

That's not *quite* what a MacGuffin is. A MacGuffin not only seems important, it *is* important; in fact, one of its two diagnostic characteristics is that a MacGuffin is something around which the entire plot revolves. The other property fundamental to what makes something a MacGuffin is the fact that the origin, purpose, function, and, in some cases, even identity of the object is left either vague or completely undefined. The briefcase in Pulp Fiction is a classic example (although there *is* a compelling argument that the object in the briefcase is in fact a specific artifact).

Well, according to the doctor when the operation is beginning, the doctor reveals that in prison, he spent all of his time in the library, including books on medicine and technology. As a result, he found his "true calling", and is thankful to John for helping him see that.

More questions & answers from Minority Report

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