Character mistake: Near the end of the movie, John's wife calls one of his colleagues and says, "Jad, it's Laura, John needs a favour." Her character's name is Lara. (02:08:30)
Minority Report (2002)
1 character mistake - chronological order
Directed by: Steven Spielberg
Starring: Tom Cruise, Colin Farrell, Max von Sydow, Neal McDonough, Samantha Morton, Steve Harris
Plot hole: Anderton's wife gains entry into the jailhouse using her husband's eyeball - but he's already locked up inside, so his eye would not still have access to enter as it pleased. Any place anywhere that would have any sort of security system requiring anything from a simple passcode to a card key to a retinal scan, would immediately delete the user in such instances from all rights. And would also certainly report on any attempted use of such (retinal scan, pass code, whatever). (02:00:45)
Suggested correction: I thought that this was a mistake as soon as I saw it on screen, but reconsidered. It's perfectly possible that there was some, probably human caused, delay in updating the security system. After all, there wasn't a rush to do it since they already had the chief on ice. Maybe the sleep jail was still on a legacy system without automatic updating. Just assuming that in the near future that all systems are all perfectly integrated and instantaneous does not validate this as a mistake.
Trivia: Paul Thomas Anderson, who directed Tom Cruise in Magnolia, has a cameo on the train. It is reported that he is so hard to find that Anderson himself does not know where he appears.
Question: Why all the build up of John having sent the Russian eye-surgeon guy to jail, suggesting that he will hurt John; only to have him successfully complete the operation, and take care of John afterwards?
Answer: Because subverting the expectations of the viewer makes it more interesting. The audience (and potentially John) are set-up to expect bad things, which don't happen. Once the "bad thing" happened, the suspense would be gone and everyone could relax. Expecting something bad but knowing when it might happen maintains the tension.
Chosen answer: It's what's known as a McGuffin; a plot element that seems to be important when introduced, but serves no purpose other than to intrigue/distract the audience. The term was popularised by Alfred Hitchcock.
That's not *quite* what a MacGuffin is. A MacGuffin not only seems important, it *is* important; in fact, one of its two diagnostic characteristics is that a MacGuffin is something around which the entire plot revolves. The other property fundamental to what makes something a MacGuffin is the fact that the origin, purpose, function, and, in some cases, even identity of the object is left either vague or completely undefined. The briefcase in Pulp Fiction is a classic example (although there *is* a compelling argument that the object in the briefcase is in fact a specific artifact).
Well, according to the doctor when the operation is beginning, the doctor reveals that in prison, he spent all of his time in the library, including books on medicine and technology. As a result, he found his "true calling", and is thankful to John for helping him see that.
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