Bride of Frankenstein

Factual error: The movie's title is factually inaccurate. The bride isn't "of Frankenstein" (the doctor), she's the bride of Frankenstein's monster.

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Suggested correction: First, that's not what constitutes a factual error. At this point in time, "Frankenstein" was commonly used as the creature's name. Even today, it's understood. And in the novel, Frankenstein was never a doctor or held a doctorate of any kind. So, based on your faulty logic, it's a factual error to call him "doctor."

Bishop73

In addition, in the book the monster is always called "The Creature".

Noman ★

Suggested correction: In addition to the other corrections, the word "of" in the title can also be interpreted as meaning "from." This interpretation would allow the title to mean "The Bride from Frankenstein" or "The Bride Made by Frankenstein."

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Mistakes

Continuity mistake: When The Monster is roaming in the woods early in the film, he comes across a shepherdess and her flock of lambs. Having fallen in the stream and been pulled out by The Monster, she starts screaming. In the long shots, The Monster puts his hands across her mouth very quickly to silence her, but in the close up shots of her, his hands are missing, even though they keep switching between the two shots.

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Quotes

Henry Frankenstein: Oh, what a wonderful vision it was. I dreamed of being the first to give to the world - the secret that God is so jealous of: the formula for life. Think of the power - to create a man - and I did. I did it! I created a man - and who knows, in time, I could have trained him to do my will. I could have built a race. I might even have found the secret of eternal life.

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Trivia

Trivia: Boris Karloff hated the idea of having the monster talk because he had built the integrity and 'charm' of the monster around silence.

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Questions

Question: How were the special effects of the miniature people in the glass displays accomplished?

Answer: From "Behind the Camera - Bride of Frankenstein": "Special effects experts John Fulton and David S. Horsley spent two days shooting Dr. Pretorius' miniature beings. The actors were placed in full-sized bell jars set against black velvet. These shots were meticulously lined up to match them with shots of Ernest Thesiger, Colin Clive and the interior set."

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