Revealing mistake: When the last helicopter explodes, in the close-up one can see it's empty.
Revealing mistake: When Bond destroys the two helicopters there are two thin wires above running along the screen, seemingly where they hung the scale models from.
Revealing mistake: You can see ropes lowering the rocket when landing.
Revealing mistake: Every time Bond is in the white Toyota, and they use a back screen projection look at the top of the windscreen, it has completely disappeared each side of the rear view mirror.
Revealing mistake: Look closely at the device Bond is using to open Osato's safe. Before he presses the button to reveal the individual number you can see what the number is going to be.
Revealing mistake: When Bond notices the safe while looking at the mirror inside the liquor closet he turns around to look at the actual safe and the same shot seen in the mirror is used for Bond's point of view.
Revealing mistake: When Bond stabs an assassin, we can see the spear going under his side.
Revealing mistake: When Bond exits the room after his meeting with M aboard the submarine, he slams the door, causing the whole wall to move.
Revealing mistake: When Helga traps Bond with a smoke-bomb and wooden restraint in the plane before jumping out to safety, you can see the wooden restraint has a pre-made crack down the centre when Bond eventually breaks loose.
Revealing mistake: When the camera goes to pan to Tanaka and Bond, watch the monitors behind them. The pictures don't stay within the frames of TV spheres, meaning they're animations poorly edited in.
Revealing mistake: Every time Blofeld's rocket is shown approaching the American capsule near the end of the movie look closely at the screen. When we see the rocket on the closed-circuit screens you can tell it's a badly superimposed image because you can see the stars passing by behind it.
Revealing mistake: When Bond back-drops Hans back into the water during their fight in Blofeld's quarters, you can see that Bond is not Sean Connery but his stunt double.
