Continuity mistake: When Lois is trapped under the elevator, the wide shots show a thick metal bar close to her throat. In the closeups showing her head and shoulders the bar isn't visible.
Continuity mistake: Superman stands on a flag pole outside one of the windows in Perry's office to defy the 3 villains. When the shot cuts to an outside view of the villains flying, the flag pole has disappeared, and the nearest one is several feet to the left.
Continuity mistake: When Luthor is at Perry's office door, his hair changes from long and messy to short and combed in the next shot.
Other mistake: When Lois and Clark leave the Fortress, the car is driving in the wrong lane. This is due to the fact that the shot belongs to a reused scene from the first movie, where an empty car was remotely driven by Lex, who changed lanes all the time.
Continuity mistake: The corner in the Fortress of Solitude that exploded looks totally different when we see it at the end of the film.
Plot hole: Lois and a friend of hers are watching Non and Superman fight. But this is totally senseless, because Superman had been flying around Metropolis and chances are slim that he appears in the very same spot to let Lois watch him. And, second and most important, should any doubts arise, the panning angles of the camera never show Lois's building, with the big broken window and the flag poles.
Deliberate mistake: When the villains rampage the White House, the flag's base remains on the ceiling, and the flag pole falls inside the house. So the final scene with Superman carrying the flag and its base as if it had been previously stolen or destroyed, is nonsensical, but it looks very patriotic indeed.
Continuity mistake: In the Niagara falls, when Superman brings Lois a hot dog, the wider angle doesn't show a woman with a beige sweater coming form the right, who suddenly appears in the close up.
Revealing mistake: After Superman saves the kid at Niagara Falls, he lands on a lawn nearby. Then wires holding him are visible.
Continuity mistake: After Zod grabs the cop's rifle, a close-up shows the rifle's butt close to the policeman, which is inconsistent with the next shot where the villains are seen many meters away.
Continuity mistake: When Non lifts the cops' car, the fat cop starts to tuck his head inside the car, but a frame later it's already in, without having finished the movement.
Continuity mistake: In the big fight in Metropolis Ursa chokes Superman, but a frame later she is 3 meters away from him and her hands are off his neck.
Continuity mistake: When Superman brings the flag to the White House, the wide shot shows the wind stopping, and the flag coming to a smooth stop. Immediately after, in the close-up, the flag is moving wildly.
Continuity mistake: When Clark is lying beaten up on the diner floor, a man in a brown suit next to him disappears.
Continuity mistake: In the bar in East Houston, the man that challenges Ursa to arm-wrestle has his right arm and elbow on the table. In the next shot they're down.
Continuity mistake: When Ursa sits down to arm-wrestle, a man with a red jacket who was sitting several feet to the left, suddenly appears on the back close to the guy with a Coors T-shirt.
Continuity mistake: The watch on the left hand of the cop holding the binoculars while watching the Eiffel Tower, appears and disappears between shots.
Continuity mistake: When Ursa descends through the White House window, she is facing the back of the cop holding a gun. In the next shot she lands facing somewhere else, the cop now being by her side.
Continuity mistake: When Ursa grabs the snake, in the close-up her badge appears skewed. In the rest of the shots the badge appears straight.
Audio problem: Trapped under the elevator, Lois says "Capital P" but she is not mouthing the word.
Answer: In the theatrical cut, nobody really knows why the green crystal restored his powers. However if you watch the Richard Donner cut, it is explained that the green crystal is a communication device that helps Superman talks to the residual essence/spirit/ghost of his father Jor-El. Before he died, Jor-El gave the crystal to his son. Jor-El anticipated that Kal-El might give up his powers, and he also anticipated that Zod might eventually escape the Phantom Zone, so Jor-El lets his son absorb the leftover energy of his spirit, thus restoring all his Kryptonian powers.
Matt Van Gogh