Factual error: About 20 minutes in when they are at some ball/dance thing, Shakespeare's talking with a musician holding a lute. You can see fret markers on the fretboard of his lute, but these were not used on instruments until the late 1800's, early 1900's, definitely not in Shakespeare's time. (00:27:20)
Continuity mistake: Halfway into the film, Shakespeare is holding Viola's face placing his hands around her jaw, looking closely at her. When the angle is behind Viola, we see that her hair gets caught around his left hand's fingers. The angle changes to a wider side angle and his hand has no hair around, even though he hasn't moved it at all.
Revealing mistake: When Shakespeare is getting dressed and talking with Viola in the bedroom, you get a quick glimpse of Joseph Fiennes' modern day men's briefs under his tunic.
Factual error: When Will shouts "Follow that boat!" a motorboat speeding by is visible in the lake.
Factual error: Throughout the story, the threat is that Viola is going to be shipped off to Virginia with Lord Wessex. Virginia did not exist until 1607, a good 20 years after this story was set.
Other mistake: When Ben Affleck is helping the play actors rehearse a dance and Gwyneth Paltrow starts dancing the woman's part (even though she's supposed to be a man), Ben Affleck yells, "Are you a lady, MISTER Kent?" instead of "Master Kent," as men are all referred to throughout the film.
Continuity mistake: In the tavern scene, when Shakespeare and Marlowe are speaking, there is a bartender. In the shot in which Marlowe says, "His best friend is killed in a duel by Ethel's brother or something. His name is Mercutio", the bartender starts looking at Marlowe, and by the end, he turns his eyes towards Shakespeare. In the next shot, when Shakespeare says, "Mercutio... good name", the bartender's face has immediately turned toward Marlowe, without any time to do so.
Audio problem: At Marlowe's funeral, the sound of the choir boys' voices is a line or so ahead of what their lips are singing.
Visible crew/equipment: When Shakespeare enters the bedroom with the Romeo and Juliet first act, he discovers Mr. Tilney is having sex. As Tilney gets out of the bed, you can see what looks like a microphone above his trousers.
Answer: In real life, Viola, of course, would be recognized as a female in disguise. However, in literature, film, opera, etc, it often is necessary to employ what is known as a "suspension of disbelief." That is, the author expects the reader or audience to know something is impossible, unlikely, or completely unreal, but they have to accept a certain premise in order to allow the plot to unfold. We go along with the idea that no one realizes Viola is actually a woman, so that we can enjoy the overall story.
raywest ★