The Shadow

Continuity mistake: After Wainwright lowers his martini glass to the table, it is suddenly up to his mouth in the next quick shot.

Scott215

Continuity mistake: When the two goons are ready to shove Dr. Tam over the bridge railing, he is grasping their arms, but the next shot of the trio to the bridge shows Tam's arms hanging down with open hands.

Scott215

Continuity mistake: When Mr. Shrevnitz puts the ring on Dr. Tam's finger, his left hand holds Tam's hand, but the closeup shot shows Shrevnitz putting the ring on with only his right hand.

Scott215

Continuity mistake: Before Cranston gives his guards the order to shoot through Wu, the book Wu holds against his chest instantly moves up and down and back as the scene cuts.

Scott215

Continuity mistake: After Li Peng takes Wu hostage and holds the knife blade to Wu's throat, Li's left hand changes position on the blade as the scene instant cuts.

Scott215

Continuity mistake: In Khan's lair, when the Shadow is struggling to stop the Phurba from attacking him, the Shadow is dragged across the floor by the Phurba while holding it in his right hand. In the next shot, he is now seen holding the Phurba with both hands.

Continuity mistake: After Nelson tells Khan the museum is closed, Nelson's left hand suddenly appears, holding his revolver.

Scott215

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: Nelson pulls out his revolver as soon as Khan's coffin opens up.

Nelson did have his revolver pulled when the casket opened, but the mistake listed was the quick appearance of his left-hand supporting the revolver in his right hand, a true continuity mistake.

Scott215

Continuity mistake: When the guard first raises his gun to cover Khan, it's in his right hand only. From in front, his left hand is suddenly up.

Movie Nut

Continuity mistake: When Moe says, "Get it?" to Dr. Tam, Moe's index finger taps his right temple, but when the scene cuts to the frontal shot of Moe, his finger is now tapping his hat.

Scott215

Continuity mistake: When Khan tosses the Tommy gun to Claymore, it is right-side up, but the closeup shot shows Claymore holding it upside down, then the next shot right-side up again.

Scott215

Continuity mistake: When Lamont and Margo are in the middle of the street checking out of the empty lot where Cranston sees the Hotel Monolith, a light gray sedan behind him disappears and reappears as the scene changes.

Scott215

Continuity mistake: When Cranston telepathically calls Margo at the Assessor's office, the overhead view of her shows her being thrown back a ways from the open ledger on the desk, but the next level shot shows her much closer to the open ledger.

Scott215

Continuity mistake: The second time in the Cobalt Club, Margo comes over to the table and sits down. As they talk, Wainwright puts down the Martini, and has his hand on the glass. Then in closeup, his hand is up with a fork. Cut to a shot of Margo, he's sipping the martini. He calls for the waiter, he's putting down the empty glass. Cut back to her, he's putting down the glass again.

Movie Nut

Continuity mistake: In the scene on the bridge near the beginning, when we first see The Shadow, he's only wearing a coat, not his cape. The shot switches, and when we again see The Shadow, he now has a cape. The cape must have been a CGI effect, because trailers and commercials show the same shot WITH the cape.

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Trivia: Director Russell Mulcahy manages to insert his name in this movie: Lamont Cranston's butler is addressed as "Russell" by Margo Lane at Cranston's residence, and there is a delivery truck with the name "Mulcahy" emblazoned on the side of the vehicle.

Scott215

More trivia for The Shadow

Answer: In the comics he was a tall, thin man with a large hook nose, sort of like "Sherlock Holmes." When the movie was cast, they thought of altering Alec Baldwin's face for the role, but decided that all those prosthetics would make him unrecognizable, so it was decided he would morph into the original character, when using his "Shadow" power. The same thing was decided when Warren Beatty was cast as "Dick Tracy."

Answer: Unlike most comic book superheroes, the Shadow character evolved from a series of pulp novels, and later a radio program, starting in the 1930s. The Shadow's true identity was initially unknown, and he had multiple aliases and many alter egos. Only later was he permanently known as rich playboy Lamont Cranston. As the Shadow, he used different disguises when combating villains. While in Asia, Lamont learned how to read minds and use hypnosis to cloud peoples' vision. The movie reflected his ability to alter his appearance when transforming into the crime-fighting Shadow.

raywest

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