Factual error: Since the movie was set in the 60s, David Senak couldn't have gotten in trouble for shooting the man running away. In the 60s, the police could legally shoot any criminal running away. This didn't change until Tennessee v. Garner in 1985.
Continuity mistake: In week 14, at his wife's request, the reverend goes visit Ye Win to ask him about increasing work shifts. When he is shown handing back forms to his fellow Burmese people, Ye Win puts down his pencil, but the pencil is back in his hand when he is passing the first. (00:57:10)
Deliberate mistake: The car's headlights are angled differently. After the car hit Pete, its headlights were angled upwards (more toward the sky than the road). This enabled a clearer view of Charlie when he approached and knelt next to Pete's head. A later, more distant view shows the headlights shining about waist-high, which would be more typical. (01:29:00 - 01:30:10)
Continuity mistake: When Saul and "Nookmis" (his grandmother Naomi) leave on the canoe, there are several blankets/rolls of food between them. The pile reaches to about Saul's waist in the canoe. When Saul and Naomi continue their canoe trip the following morning, the pile of blankets/rolls between them is higher (almost to Saul's shoulders) and the colors/sizes look different (larger, even though they obviously ate some food). (00:11:37 - 00:12:09)
Continuity mistake: In the first episode, the cold Federico is shaken by the first approach with the bookstore owner Giulia. When he comes back inside the store, the woman is leaning against the corner of table when the camera is in front of her, she isn't in the shots from the back of the store. (00:04:30)
Factual error: The opening shot is of a somewhat long and quite high bridge with an equally high waterfall behind it. After a couple views of the surroundings, Henry and Peter are standing in the middle (portion) of a stone barricade/wall (extension of the bridge?) with a huge lake behind it, waiting for the school bus. There's absolutely no legitimate or rational reason for such a location to be a school bus stop! School bus stops always have safety in mind, and this bus stop is anything but safe. (00:02:32)
Factual error: Tony writes a "postcard" on the back of a picture to Adrian and Veronica to an address in Cambridge including the postcode. This scene occurs in 1967 (we see the date on the letter he is responding to) but postcodes weren't in use in Cambridge until at least 1970.
Continuity mistake: In the mid-credits scene in Justice League vs. Teen Titans, Terra's hair was shoulder length and she had no freckles, but in this movie, she now has shorter hair and freckles.
Continuity mistake: When Derek (as Tyler) goes into the hallway and when he walks outside toward the SUV, no cell phone outline can be seen in his front pockets. Somehow, he has Tyler's phone (or a different phone) when he gets inside the SUV. (00:20:15 - 00:20:45)
Continuity mistake: Gardner Lodge first takes a bite from the corner of the peanut butter and jelly sandwich and sets it back on the plate. The camera angle changes and when he is seen holding the sandwich again the bite is now taken from the middle of the sandwich. (01:28:55)
Continuity mistake: During the initial briefing, the digital clock initially points the time pretty accurately, but then gets stuck on minute 56 for way too long; it's at 12:56:35 when they whip out of the drug lord's folder, 20 seconds of dialogue elapse till the clock is shown again at 12:56:47, another 25 before it gets to 12:56:55, and about 40 seconds before it gets to...12:56:56. And barely 30 seconds pass before Estrada arrives, at exactly 1 o' clock. (00:12:30 - 00:14:30)
Visible crew/equipment: When Detective Hole enters the murderer's cabin you can see somebody running in the snow outside.
Continuity mistake: Throughout the scene at Stukey's, when Helen Mirren is chatting the Syrians' ears off her elbow sticks out of the window at variable length between shots. (00:05:45)
Continuity mistake: Maggie gets downstairs while Henry and her daughter are playing with their phones. The hair goes in front and behind her right shoulder depending on the camera angle. (00:03:00)
Continuity mistake: Michael sets foot into the church and meets Pastor John Soul. John has a clipboard in his left hand, as well as his glasses, as he says "But the doors of this church are always open to you." He opens his arms and the glasses are in the left hand. However in the wider shot that follows ("But, if you are looking for redemption...") here's the Pastor with the glasses in his right hand. (00:27:05)
Factual error: In the beginning of the movie, during Dickens' visit to America, you can hear them playing the melody from the song "I'm a Yankee Doodle Dandy" written by George M. Cohan in 1904. This was 61 years after the events in the movie. In the ending credits they cite this as "Yankee Doodle Dandy" which was written many years before. But, that was not the melody that was being played.
Continuity mistake: Michele Riondino has just killed the snitch and is going after the witness, a Chinese woman. He holds her at gunpoint; she does not move, but in a shot she has hair in front of just her left shoulder, both shoulders in the next. (00:30:30)
Visible crew/equipment: When Renton is singing at the pub, he approaches Simon playing the piano to let him sing a line. In the shot before he places the microphone under Simon's mouth, Renton is shown moving the microphone away from his mouth, and a camera can be seen attached to the microphone, to film the shots from the perspective of the microphone. (00:43:45)
Continuity mistake: With awkward timing that brings the table conversation to a screeching halt, Thomas says that "New York lost its soul." The woman next to him was having a glass of wine, but it is down on the table in the next shot. George also has his glass raised (we see it in foreground when Thomas explains himself) but it's on the table in the wider angle. (00:11:20)
Continuity mistake: Giorgio Selva meets a new barista, apparently fresh from university after a dissertation on Hannah Arendt. During this first scene with her, her ponytail moves back and in front of her shoulder. (00:03:50)