Question: If imprinting is possible for werewolves then why didn't Jacob do it to Bella? Mad Magazine pointed this out as he does this to her daughter, kind of creepy it was.
Answer: Imprinting is an involuntary mechanism. The shape-shifter can't voluntarily imprint on anybody. Jacob tried to imprint on Bella but was unable to do so and began going around looking for other girls to imprint on but, is unable to do it of his own free will.
Question: When Hobbs realises that Dom and Brian left him with an empty vault, Hobbs has a flashback of Leo and Santos loading the real vault onto a truck. My question: was that really a flashback (did he really see it take place and forget?) or was it like Dom's image of Letty's death when he and Mia are at the crash site in Fast Four and not 100% accurate, since he didn't know what Letty's killer looked like yet?
Question: What (if any) is the significance of the "OZ" graffiti that pops up throughout the film? It became quite distracting as I thought it would pay off at the end of the film.
Answer: The 'OZ' sprayer is a very disturbed man who claims to be an artist but the courts think otherwise. You can found his OZ (which he claims to be read OLI!) everywhere in Berlin and Hamburg. It has absolutely nothing to do with the movie but you can't film a wide open scene in Berlin without taping it.
Answer: Mise en scene. OZ / OLI is firstly a name. Asking what or rather who OZ / OLI is, is the point. One of the main questions of the film is what constitutes a person's identity.
Question: There's a scene toward the end of the movie where Adam sits down with his therapist (Katie). The camera shows a full frontal body shot of Adam as he's sitting down. His pants are wet. It looks like he urinated in his pants. But his wet pants aren't addressed. I don't think I missed anything. Or did I?
Answer: His pants only look wet because of the lighting. The color of the pants and the shadows make it look that way but they aren't really wet.
Question: Why does the Station Inspector chase children who are on their own and threaten to send them to an Orphanage? Is that what it was like in the 1930s?
Answer: He's not making it a point to chase down random children - he's like a security officer at an airport. It's his job to apprehend thieves and troublemakers and keep the station safe, and he only threatens to send children to the orphanage if they don't have parents for him to return them to. Also, it's implied once he finally apprehends Hugo that his particular harshness toward orphans (and most of his character flaws in general) is due to apparently having been one himself. He spells out the kinds of lessons he was forced to learn by growing up without a family, explaining how he became so cold, bitter, and antisocial.
Chosen answer: It is more than likely an early form of our modern day child protection. Just as today if children are found to be at risk, they can be and are taken away by social services and put into foster care. In the film, orphans may have been seen as a plague in an area that attracts posh looking people in stark contrast to urchins in rags eating out of bins. Most European orphanages/care homes/hospices/whatever you want to call them at that time were no better than anything depicted in Charles Dickens 50 years previously.
Question: If Charles was shot in this movie, becoming paralyzed, how did he get the ability to walk by the time the beginning of X-Men: The Last Stand came around?
Answer: It is shown in X-Men: Days of Future Past that Hank made a serum that can help him walk.
Chosen answer: The short answer is events in this film negate what happened in X-Men 3 as well as Origins: Wolverine or one could say this film essentially became a reboot. Since no real answer seems to be given, and since the X-Men 3 film makers didn't know Charles would later be shown to become paralyzed prior to visiting Jean, they had no need to explain why he's walking. One can only speculate on the possible ways Charles walks in these 2 previous movies (and this isn't taking into account the timeline shift from X-Men Days of Future Past). We do know from DOFP that Hank/Beast created a serum for Charles that allowed him to walk, albeit without his powers. Hank could have kept working on this serum which would allow Charles to walk and still maintain some of his powers. Then at some point Charles stopped taking the serum, confining him to the wheelchair once again. Either because they ran out of the serum or because Charles came to the realization he needs to accept what happened and not hide it, especially if he's teaching children to accept who they are. Charles also has the power of "astral projection" and the power to appear in the minds of others, so Charles could simply not be there at Jean's house, but is back home, in his wheelchair.
Question: On their helmets were two torches (flashlights). The bigger light had two options, an LED cluster and a standard bulb. Wouldn't the battery have lasted longer if they chose the LED option?
Chosen answer: Being someone who uses the PETZL Duo headtorch (the light used in this movie) I can say that yes, the LED option lasts MUCH longer than the standard bulb.
Question: Bernie made a full confession of murdering Mrs. Nugent to the police. In the event of full confessions, the cases go before a judge only for conviction and sentencing. So why did Bernie have to go before a jury trial?
Chosen answer: Confessing to a crime is not the same as pleading guilty in court. The DA had charged Bernie with premeditated murder (1st degree murder), but still had to prove in court it was premeditated, Bernie only confessed to killing her.
Question: When Cateleya is in the prison scene, where does she get her black cat suit from?
Answer: Her dress.
Question: Did they give John Lithgow's character Alzheimer's disease in remembrance of Charlton Heston?
Chosen answer: No they most certainly did not. That wouldn't remotely be considered a particularly respectful homage! They picked Alzheimers because it's specifically a brain condition, which can then be explored in the movie as a plausible way of explaining the intelligence raising properties of the drug used.
Question: I was wondering if there were any unsimulated sex scenes in the film, because some of them look very real.
Chosen answer: No. While some NC-17, non-pornographic films do feature unsimulated sex (Nine Songs and Nymphomaniac, among others), it's normally explicitly (heh) clear that it's real, rather than just seeming realistic.
Question: Is Ramin Karimloo (in the grey suit and bowler hat, without his Phantom make up) sitting to our right of Carlotta during the rehearsal for Don Juan Triumphant? (01:39:40)
Chosen answer: Although that would be funny, I rather doubt that's Ramin Karimloo. From the DVD's special features he revealed that it takes an hour to transform him into the Phantom. Since this was filmed live on stage, it would be very impractical to have him take the makeup off halfway through the musical.
Answer: When initially found by Odin, he does. Something then acts on him that causes him to mimic Odin's more human appearance, which he then keeps until his exposure to the frost giants during the events of the film, which tips him off to his true nature. Whether this was caused by some magic inherent in Loki even as a baby or whether Odin did something to disguise the child's true origin is unrevealed.
Tailkinker ★