Visible crew/equipment: When Holly and Sharon are showing the apartment to the couple, just as Sharon says, "I think if you offer another hundred grand, they'll back right down," the reflection of a moving boom mic is visible in the center window between Holly and Ted. (00:40:30)
Visible crew/equipment: When Katherine Heigl and Seth Rogen are arguing in her car, right before she throws him out, you can see a microphone and camera reflected in the passenger side of the car.
Visible crew/equipment: When Juno and her friend are looking at the Pennysaver in the park, you can see the boom mic at the top of Juno's sunglasses.
Visible crew/equipment: In the scene towards the end of the movie when they are at the dinner table, Dory is telling Kelly about the time his father shot a squirrel and cried. If you look closely at the lower right hand window towards the back, you see a face appear in the window. It looks almost ghostly.
Visible crew/equipment: Throughout the film, set equipment such as the boom mic and pole, reflector screen or monitor are visible in the reflections of characters' eyeglasses and sunglasses. Such as when one of the Sharpettes asks, "So what's the theme of the summer's talent show?" in Sharpay's next close-up the boom mic and pole are visible in the reflection of her sunglasses.
Visible crew/equipment: During the scene where Harrison raises his fist to Rowena, there is a brief moment when you can see what looks like a shadow of a boom mike and crew member behind Rowena's head on the ground behind her. (01:16:35)
Visible crew/equipment: During a shot of two of the bar patrons, a man runs past them in the background. The man is director Ben Affleck. He didn't realize it was himself until after he chose to include the shot in the film. (00:16:40)
Visible crew/equipment: When Mitch and his brother are singing at the piano, a close up on Mitch's right ear reveals an ear-piece monitor that isn't there when the shot pans out towards the end of the scene.
Visible crew/equipment: At the end of the film when the emergency cars have arrived, as the camera backs away from the blinking light, you can easily see the camera on a crane backing away in the reflection of the glass light.
Visible crew/equipment: When Gina says she's leaving home, there's a metal ball behind her. On the top right corner a stage light is reflected.
Visible crew/equipment: You can see a member of the crew walk by inside Monk's house when Elizabeth and Monk are sitting outside of his home talking about their future plans together.
Visible crew/equipment: Edward arrives at this daughter's house and two big white lighting screens get reflected on the car's door.
Visible crew/equipment: After Johnny completes the helicopter stunt he chases the TV van down the highway. You can see the camera and crew reflected on the van sides.
Visible crew/equipment: When Moss is talking with the security guard at the border bridge, you can see the camera and the cameraman next to Moss in the reflection of his sunglasses. (01:27:40)
Visible crew/equipment: When the ambulance is about to crash into the tanker, right before and during the crash a camera mounted (painted white) on top of the cab is seen.
Visible crew/equipment: About an hour and 12 minutes into the film, Russell Crowe is chasing the guy in the Bronco. After he gets to where he is going, he stops by the window of a building and watches some men enter. The camera changes to his point of view and pans to the left. As it is doing so, its reflection becomes visible in the glass. (01:12:30)
Visible crew/equipment: When he is fixing the crooked ship picture in the somewhat dark room in the reflection behind him you see an arm with a light blue short sleeve shirt in the glass door.
Visible crew/equipment: In the scene where Camila is making out with Rodrigo, one can see the cameraman's shadow on Rodrigo's back in the shot where he throws her on the bed.
Visible crew/equipment: Anne, Elizabeth, and Capt. Wentworth are walking on the estate, and as Elizabeth says "Hey look, there's poor Charles with them; come", the camera angle shifts over to Anne and you can see a member of the crew wearing a red shirt standing next to the tree behind her. (00:33:35)
Visible crew/equipment: At the end of the outside corridor-scene the camera point changes from a rider to a steady shot to follow Paccino leaving the corridor. In the pan the long dolly track used in the previous shot is visible along the outside of the corridor. (00:43:35)